This short contribution presents an enigmatic clay mould recovered from a tile kiln in Vindolanda's North Field. This complete mould contains an impression of Apollo in bust form, but its exact use is unclear. This paper presents the mould and discusses its potential use for the manufacture of ceramic figurines. Found in an industrial area of the site, its discovery also provides valuable evidence for craft production along this frontier and hints at a largely unknown provincial industry.

During the Early Neolithic in the Near East, particularly from the mid ninth millennium cal BC onwards, human iconography became more widespread. Explanations for this development, however, remain elusive. This article presents a unique assemblage of flint artefacts from the Middle Pre-Pottery Neolithic B (eighth millennium BC) site of Kharaysin in Jordan. Contextual, morphological, statistical and use-wear analyses of these artefacts suggest that they are not tools but rather human figurines. Their close association with burial contexts suggests that they were manufactured and discarded during mortuary rituals and remembrance ceremonies that included the extraction, manipulation and redeposition of human remains.

Pipe-clay figurines are an important but under-examined category of Roman material culture in Britain. This paper presents the first typological catalogue of the 168 deity, animal and human figures imported to Roman London from Gaul during the first and second centuries a.d. As in many other collections Venus figurines are the most common type, although there is considerable diversity in form. Comparison with continental collections highlights distinctive patterns of consumption between London, the rest of Britain and Gaul, with the city displaying relatively high numbers of exotic/unusual types, as appears to be typical of Londinium in general. The spatial distribution of the figurines is mapped across the settlement, while their contexts and social distribution on habitation, trade and religious sites throughout the city are explored. Whole specimens from burials and subtle patterns of fragmentation also provide a direct insight into the religious beliefs and symbolic practices of the people of Roman London.

This paper deals with magic figurines from the Western provinces of the Roman Empire based on an inventory of twelve figurines and their archaeological context. It underlines the place of the figurines in the ritual of defixio and demonstrates that complex curse rituals such as those described in the Greek Magical Papyri (GMP) were not performed only in the Mediterranean basin. It also notes that these magic Western figurines are often found in important places (such as cities and large villas) and in late contexts.

The sanctuary on the island of Keros takes the form of deposits of broken marble vessels and figurines, probably brought severally for deposition from elsewhere in the Cyclades. These acts of devotion have now been accurately dated, thanks to Bayesian analyses of the contemporary stratigraphic sequence on the neighbouring islet of Dhaskalio. The period of use—from 2750 to 2300 cal BC—precedes any identified worship of gods in the Aegean and the site is among the earliest ritual destinations only accessible by sea. The authors offer some preliminary thoughts on the definition of these precocious acts of pilgrimage.

The Sannai Maruyama site (3900-2300 BC) is one of the largest known from Japan's Jomon period (14000-300 BC). This study shows that over 1500 years the number of dwellings, their size, the type of stone tools and the fondness for figurines varied greatly. Nor was it a story of gradual increase in complexity: the settlement grew in intensity up to a peak associated with numerous grinding stones, and then declined to a smaller settlement containing larger buildings, many arrowheads and virtually no figurines. Using a bundle of ingenious analyses, the author explains what happened.

The corpus of figurines from Çatalhöyük has attracted the attention of diverse audiences but there has been an overwhelming focus on a selection of female figurines, many of which lack exact provenience. Excavation from 1961 to 1965 yielded more mundane examples classifiable as anthropomorphic, zoomorphic and abbreviated forms. New work attempts to balance the picture through various methods and strategies. The research presented here collates the artefacts from these early seasons with those retrieved from 1993 to 2006 to gain a fuller understanding of figurine practice. The figurines almost exclusively represent secondary deposition. We can now assess the number and type of figurines deposited in buildings, middens, burials and elsewhere. Reassessment of the entire corpus has prompted interrogation of the category of ‘figurine’ and reconsideration of the taxonomies along with other artefacts and image production at Çatalhöyük. Depositional practices at the site suggest processes of mobility and circulation that have rarely been considered in studies of figurines. Typical ‘representational’ or aesthetic approaches imply that the figurines were a special category with particular values of religiosity and gender; but attention to the archaeological context can imply meaning from the material practices within which ‘figurines’ were enmeshed.

The Luzira head, a pottery figure discovered in a Ugandan prison compound in 1929, has remained curiously anonymous ever since. New archaeological work on the northern shores of (Lake) Victoria Nyanza has defined a formative period of political centralisation at the end of the first millennium AD. The authors show that this period of early to late Iron Age transition is where this remarkable object and related figurative material belongs. This has implications both for the formation of kingdoms in Uganda and for the story of African art more generally.

There were differences in the representation of humans and animals between the regions of Thessaly and the central Balkans during the earlier Neolithic. These differences imply the constitution of distinct worlds. Representation is anthropocentric in Thessaly and it focuses on particular actions of the human body. In the central Balkans, there is more animal imagery, although here too humans predominate. The lack of specific traits suggests an ontological principle of generic identity.

The remains of a hunting site dated to 15000 years ago, captured in an ice wedge, included woolly rhinoceros, horse and arctic fox. Also present were 30 flint plaquettes with curvy feminine outlines. The authors show that these unworn flint profiles can be assigned to a canon of Magdalenian art that extends over much of northern Europe.

In the Near East, the inherent dualism of clay as both symbol and instrument was a feature of its use from the inception of farming villages to the formation of cities, and the extensive record of its ‘changing face’ allows us to trace the continuous history of development between them.