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A decade before becoming famous for his prose narratives, W.G. Sebald worked on two film projects that remained unrealized in his lifetime and have not yet been extensively studied. These intended films were to focus on the lives of two philosophers, Immanuel Kant and Ludwig Wittgenstein, but Sebald only tangentially engages with their philosophical work. Instead, the film scripts consist of biographical sketches and, in the case of the Wittgenstein project, images. A closer look at these two projects reveals Sebald in a transitional phase in his development from academic to literary author. The works bear similarities to the style and themes for which he later became known: intertextuality, the pitfalls of human progress, and death. The Wittgenstein project also marks a starting point for Sebald’s interest in characters who bear a resemblance to the philosopher, which would persist throughout his literary career.
The Cambridge Companion to Kazuo Ishiguro offers an accessible introduction to key aspects of the novelist's remarkable body of work. The volume addresses Ishiguro's engagement with fundamental questions of humanity and personal responsibility, with aesthetic value and political valency, with the vicissitudes of memory and historical documentation, and with questions of family, home, and homelessness. Focused through the personal experiences of some of the most memorable characters in contemporary fiction, Ishiguro's writing speaks to the major communitarian questions of our time – questions of nationalism and colonialism, race and ethnicity, migration, war, and cultural memory and social justice. The chapters attend to Ishiguro's highly readable novels while also ranging across his other creative output. Gathering together established and emerging scholars from the UK, Europe, the USA, and East Asia, the volume offers a survey of key works and themes while also moving critical discussion forward in new and challenging ways.
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