To hold that artworks are valuable for their own sake—regardless of whatever secondary value they may have, such as entertainment, formation, education, or a pleasurable experience—is to hold that their final worth is not derived from external or secondary ends. I call this collective set of views the end-in-itself view (or EI view). Nicholas Stang recently leveled a twofold charge of reductio ad absurdum and operating from a double standard against the EI view. In this article, I refute Stang by showing that the charges do not obtain for at least one variation of the EI view that holds artworks to be valuable for their own sake as internally purposive ends-in-themselves (the IP view).

This paper defends a conception of epistemic value that I call the “Simpliciter Conception.” On it, epistemic value is a kind of value simpliciter and being of epistemic value implies being of value simpliciter. I defend this conception by criticizing two others, what I call the Formal Conception and the Hybrid Conception. While those conceptions may be popular among epistemologists, I argue that they fail to explain why anyone should care that things are of epistemic value and naturally undercuts disputes about what is of epistemic value. I end by sketching and locating my conception within some increasingly popular views in meta-normativity.