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Part I, ‘Hearing Subjects’, turns attention to Robert Schumann, addressing the composer’s early grappling with the Romantic problematisation of subjectivity and personal identity frequently present in his music of the 1830s and early 1840s. In ‘Hearing the Self’, I trace the historical development of subjectivity in music up to Schumann’s time, before turning to an early and notable exemplification of the composer’s practice in Carnaval. This forms the starting point for a more detailed consideration of the ways in which a sense of subjectivity can be manifested in Schumann’s piano music of the 1830s, including such features as allusiveness, idiosyncrasy, interiority, a fantasy principle in connexion of moods, and the questioning of continuity and coherence. Finally, I look at the sense of subjectivity conveyed in Schumann’s concertos and the sense in which they collapse distinctions between self and world.
The fourth chapter examines slave flight to spaces of formal freedom in British Canada and Mexico from the 1830s through the 1850s. These two destinations for refugees from American slavery shared important similarities but also differed by degrees. The chapter explores why some enslaved people sought to flee the United States altogether; how they settled into new communities; and the risk of both extradition and illegal recapture by slave catchers and agents from the antebellum South. The chapter is structured thematically, beginning with a comparative examination of the journeys of freedom seekers to both international jurisdictions. The chapter then delves into the settlement experiences of refugees in Canada and Mexico, underscoring the stubborn prejudice with which especially refugees in Canada were confronted, as well as their economic opportunities. The chapter ends with an extensive discussion of the threat of extradition. Both countries refused to sign extradition treaties for fugitive slaves with the United States. In Mexico, however, the threat of reenslavement was higher due to illegal raids and incursions by southern slaveholders into Mexican territory.
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