We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
The Chorus in Milton's Samson Agonistes are framed as Milton's friends. In the mold of friendship in this era, they are therefore his peers, his counselors, his advisors, and his allies. They are both companions and neighbours. They also make common cause with Samson in resisting both women, the larger nation of Israel, and especially the Philistines. By showing male friends as creators of a boys-only clubhouse, Milton invokes the local chorographies and regionalism of his day. In making friendship both racist and sexist at its core, Milton also makes his closet drama a tool in exclusive and localized patriarchal networks. Juxtaposed with Thomas Fuller's Worthies of England and Pisgah-Sight of Palestine, Milton's Samson Agonistes is deliberately ungenerous to outsiders or larger loyalties.