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If Aristotle understood virtue (aretē) to refer to the realization of a potential capacity or telos, then how might we understand the world to reach its virtuous potential? What might it mean to view our own global present as not an apex but as a passing stage within a broader process of worlding? Understanding the world as a live entity that perpetually worlds its way into new actualizations -- manifesting the dynamic capacities, potential, and striving of “virtue” -- this chapter turns to Shakespeare as a source for alternative models of world that awaken us to its inherent potentiality. For example, in As You Like It, the condition of exile unlocks a paradigm of seeing otherwise -- and often optimistically -- that runs throughout the play, enabling characters to form new bonds that serve as the basis for individual and communal flourishing. I examine the extent to which the play’s new community of relationships makes a place for nonhuman animals as well as for the pessimism and self-exile of Jaques. Such models enable us to not only see around and beyond the realities of our globalized world but also to perceive alternative formulations of world as already present and alive in the world we live in.
The Chamberlain’s Men moved to a new playhouse at the end of the 1590s: the Globe. The association of Henry V and Hamlet with Shakespeare and the Globe has, I argue, distorted our perception of their place in London’s theatrical marketplace. By putting Shakespeare’s plays into some unexpected dialogues with lost plays, I aim to defamiliarize Henry V and Hamlet and trace new sets of associations between their subject matter (and form) and the plays of other companies. Specifically, I argue that Henry V can be seen as the culmination of Shakespeare’s 1590s romance comedies as much as of the Henriad, and that it can thus be regarded as a continuation of the 1590s rather than a turn-of-the-century play intended for the Globe (and thus, by implication, a break with the past). Likewise, Hamlet can be seen as participating in a ‘Danish matrix’ of 1590s plays that playgoers would recognise as having its own set of expectations and concerns. Furthermore, in proposing a new identification of the likely subject matter of ‘felmelanco’, I argue that the fact of the Danish prince having studied at Wittenberg seems to speak importantly to a hitherto underappreciated repertorial context preoccupied with theology in 1602.
Explanations for the successes or failures of militaries in both war and peace have traditionally focused on key factors such as technology, leadership, personnel, training, or a combination of all of these. A more recent addition to the list of possible variables contributing to military effectiveness is the concept of organizational culture – the pattern of shared assumptions that an organization learns as it solves problems, that has worked well enough to be considered valid, and that is therefore taught to new members as the correct way to approach those problems. This chapter combines the organizational culture concepts of Edgar Schein with the nine cultural dimensions of the GLOBE research program. The resulting model provides a useful framework to analyze a military’s organizational culture. Perhaps more importantly, the model also provides prescriptive actions leaders can take to align a military’s organizational culture with its mission and environment.
Objective phenomena of globalization have been studied in extraordinary detail. Scholarly publications abound describing the flows of global financial interchange, the movement of goods and people, and even the empirical spread of global culture. By comparison, the subjective dimensions of globalization have barely received any attention. Seeking to rectify this neglect, this chapter explores how various ideological articulations of globalization have shaped its material designs and instantiations. We suggest that the thickening of global consciousness can be conceptualized along four interrelated dimensions or layers: ideas, ideologies, imaginaries, and ontologies. Each of these layers is, as we show, constituted in practice at an ever-greater generality, durability, and depth. In this period of the Great Unsettling, normative contestations have intensified, but they tend to have a common global point of reference. Putting an analytical spotlight on such subjective dimensions not only yields a better understanding of the changing ideological landscape of our time, but also helps us make sense of the profound and multidimensional processes that go by the name of globalization.