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The permanent move of members of the Ottoman dynasty to the harem at the New Palace in the sixteenth century gradually transformed the imperial harem into a well-organized, hierarchical, and institutionalized structure with rigid protocols and training, similar to that found in the Enderun. Chapter 1 reconstructs the structure of the imperial harem and the relationships within it, with a central focus on its residents. This task is important, for it is only by understanding the web of hierarchies within the harem that one can trace women’s relationships with the imperial court during their harem service and following their transfer from the palace. The chapter identifies the residents of the harem through an analysis of their origins, families, names, occupations, and salaries. The available sources enable to construct both women’s positions in the harem organization and the size of the harem population in the eighteenth century. The final section of this chapter evaluates the role of patronage relations within the broader network of relationships in the imperial harem. The long-lasting relationship between the imperial court and female palace slaves was rooted in the harem, and residents of the harem were attached to the household through various layers of patronage relationships.
The first study to explore the lives of female slaves of the Ottoman imperial court, including the period following their manumission and transfer from the imperial palace. Through an analysis of a wide range of hitherto unexplored primary sources, Betül İpşirli Argıt demonstrates that the manumission of female palace slaves and their departure from the palace did not mean the severing of their ties with the imperial court; rather, it signaled the beginning of a new kind of relationship that would continue until their death. Demonstrating the diversity of experiences in non-dynastic female-agency in the early-modern Ottoman world, Life After the Harem shows how these evolving relationships had widespread implications for multiple parties, from the manumitted female palace slaves, to the imperial court, and broader urban society. In so doing, İpşirli Argıt offers not just a new way of understanding the internal politics and dynamics of the Ottoman imperial court, but also a new way of understanding the lives of the actors within it.
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