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How do we define creativity? Studies of laypersons’ beliefs tend to find that people focus on malleability, aesthetic taste, insight, and curiosity. Experts, however, propose that for something to be creative it should be both novel or original and task-appropriate or useful. Although other criteria have been proposed, none has been as thoroughly adapted. After discussing why definitions do matter, I shift to theories that categorize creativity. I cover the classic model of the four Ps (Person, Product, Process, and Press) and then highlight a newer model that incorporates a sociocultural influence, the five As (Actor, Artifact, Action, Audience, and Affordances).
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