Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • Chapter 3 - Mediating Improvisation and Improvising Mediation

  • Angela Esterhammer, University of Toronto
  • Book:
    Print and Performance in the 1820s
    Published online:
    11 March 2020
    Print publication:
    20 February 2020, pp 61-84

  • Summary

    This chapter explores the relationship between improvisational performance and periodical journalism by way of the international reception of celebrity improvvisatore Tommaso Sgricci’s performances in Paris and London in 1824 and 1826. Accounts of Sgricci’s improvised tragedies proliferated in French, German, and English newspapers and literary magazines; when transcripts of his improvisations appeared in book form, they generated further reviews over the next several years. This constellation of live performances and written texts, along with the process of remediation that occurs between them, provokes reflections on the reciprocal relationship between a spontaneous and evanescent form of theatre and the differently time-bound genres of print culture. The international reception of Sgricci’s performances reveals transnational networks between late-Romantic periodicals as well as cultural differences that appear when journalists adapt their reviews to different local readerships.