Rereading Toni Morrison’s novel Beloved, this article explores how Morrison’s work at the limits of language performs the haunting ties between the Reconstruction era and the present day by offering readers a way to experience a rememory of their own. By repeatedly emphasizing the inadequacy of language in expressing traumatic experience, Beloved encourages its readers to, like its characters, look beyond language and seek out a kind of ineffable, embodied knowledge to better understand the lingering traumas of slavery. Through Morrison’s concept of “invisible ink,” which points to the inevitability that lived experience cannot be captured in language by the author alone but must be filled in by an active reader, this article makes a larger argument: that Beloved acts as both an invitation and a guide to read the ghostly, invisible ink of history that exists outside the novel, haunting our world itself.
