Women's domestic work is largely deemed to be a ‘labour of love’ and lacking any value outside the private family. This reflects an ‘ideology of domesticity’, whereby women's natural place is deemed to be in an imagined private sphere. In this paper, I examine the status of housework in the context of asserting property rights in the home upon relationship breakdown. Using Valverde's legal chronotope as a lens, I argue that the ideology of domesticity is not merely present in legal discourse, but also takes on material form through the spatiotemporal ordering of the home. Housework is spatially and temporally concealed behind the powerful veneer of the imagined ideal family home, with corresponding invisibility in the law. For domestic work to be acknowledged, the individual often has to demonstrate that her work transgresses boundaries between private and public. However, as I argue, this transgression is particularly difficult for women, who remain spatiotemporally anchored in the home.
