What is the relationship between metal and the wider leisure, tourism and entertainment industries? How can metal be a place for countercultural resistance while being a part of the modern leisure industry? In this chapter, metal as a space for leisure and tourism is explored. It first discusses how metal is leisure, for musicians and for fans, by exploring the meaning and purpose of leisure and leisure’s relation to modern society. It looks at how metal is a part of the wider entertainment industry, and how that industry is best defined as commodified popular culture. Finally, the chapter discusses three specific forms of tourism and leisure industries that align with metal: tours, festivals and the recent growth of metal holiday cruises.

The essay surveys a broad selection of literary responses to tourism, which plays a significant role in the Caribbean. While the tourism economy is not inconsequential, the authors in focus tend to portray the commercialization and commodification of the archipelago, often marketed through the fantasy of paradise islands, in a negative light. Targeting the ‘leisure imperialism’ of tourism ideology, they trace an unsettling legacy in which the violent past of sugar and slavery survives in the smiling servitude of industrialized tourism. The superficial discourse of love and peace, the hedonism imposed on the sunny tropics, the supposedly willing sycophancy of the locals eager to please wealthy tourists are all dismantled through humour and dark satire to reveal a bleak underside of drugs, sex, exploitation, antipathy and social rot. However, calls for responsible, ‘slow’ tourism more beneficial to the locals hope that the industry may be ethically operated.