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This study of medieval nuns and abbesses as scribes focuses on manuscript evidence from post-Conquest England, especially in relation to changing institutional ownership. Looking initially at an early-twelfth-century legal manuscript from St Paulߣs London (Cambridge, Corpus Christi College, MS 383), the essay draws our attention to short texts that were subsequently added to it by one ߢMatildaߣ for the benefit of a female audience. Similar additions are made to another manuscript (London, British Library, Cotton MS Vespasian D. xiv) which contains homilies and saintsߣ lives, this time by an ߢancillaߣ or nun, who inserted prayers that she had authored herself sometime in the late twelfth century. These findings are important because there is very little proof of womenߣs scribal activity in medieval England: hitherto scholars have assumed that manuscripts are written and glossed by men.
The introduction explores womenߣs authorship and addresses the range of works by or attributed to women that were in circulation in England in the Middle Ages in the context of their contributions to a multilingual and inclusive literary culture. It examines the importance of collaboration, arguing that womenߣs writings may be collaborative in different ways: through amanuenses, through translation and adaptation, and through their historical and literary relationships with the men who write their lives. It explores other collaborative aspects of womenߣs literary culture, including womenߣs contributions as patrons, scribes, readers, and subjects of texts. It considers the importance of womenߣs religious communities, as well as the ways in which devotional books were owned by women and exchanged between nuns and by lay women, and it considers the active engagement of women with secular writing as owners and commissioners of books as well as writers. It argues that English womenߣs networks extend from Britain to the Continent and beyond.
Focusing on England but covering a wide range of European and global traditions and influences, this authoritative volume examines the central role of medieval women in the production and circulation of books and considers their representation in medieval literary texts, as authors, readers and subjects, assessing how these change over time. Engaging with Latin, French, German, Welsh and Gaelic literary culture, it places British writing in wider European contexts while also considering more distant influences such as Arabic. Essays span topics including book production and authorship; reception; linguistic, literary, and cultural contexts and influences; women's education and spheres of knowledge; women as writers, scribes and translators; women as patrons, readers and book owners; and women as subjects. Reflecting recent trends in scholarship, the volume spans the early Middle Ages through to the eve of the Reformation and emphasises the multilingual, multicultural and international contexts of women's literary culture.
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