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Kingship and messianic language and ideologies pervade the Apocalypse; however, readers rarely appreciate the extent to which this rhetoric shapes the text. The Introduction explores how and why these lenses have been relegated or ignored altogether in modern scholarship.
Perhaps most influential was F.C. Baur’s notion of the decisive victory of “Pauline” Christianity over “Petrine” Christianity, whereby the “primitive Jewish” conceptions of a coming Messiah of the latter were replaced with “universal” non-Jewish Christologies of the former. This degradation of Jewish messianism in Paul paved the way for future commentators to make even further-reaching claims. For example, Wrede argued that Jesus own self-understanding was non-messianic, while Bousset claimed that gentile Christian communities appropriated Jewish messianic claims, but divested them of their erstwhile Jewish connotations and eventually replaced them altogether.
The so-called Postwar Turn identified the anti-Jewish underpinnings of this trajectory, recognizing both the extent and importance of messianic ideologies throughout New Testament Christologies, including especially in Pauline epistles and Gospel texts.
Kingship and messianic language and ideologies pervade the Apocalypse; however, readers rarely appreciate the extent to which this rhetoric shapes the text. The Introduction explores how and why these lenses have been relegated or ignored altogether in modern scholarship.
Perhaps most influential was F.C. Baur’s notion of the decisive victory of “Pauline” Christianity over “Petrine” Christianity, whereby the “primitive Jewish” conceptions of a coming Messiah of the latter were replaced with “universal” non-Jewish Christologies of the former. This degradation of Jewish messianism in Paul paved the way for future commentators to make even further-reaching claims. For example, Wrede argued that Jesus own self-understanding was non-messianic, while Bousset claimed that gentile Christian communities appropriated Jewish messianic claims, but divested them of their erstwhile Jewish connotations and eventually replaced them altogether.
The so-called Postwar Turn identified the anti-Jewish underpinnings of this trajectory, recognizing both the extent and importance of messianic ideologies throughout New Testament Christologies, including especially in Pauline epistles and Gospel texts.
Studies of the Apocalypse have long neglected the royal and messianic dimensions of its portrait of the Lamb. In this volume, Justin P. Jeffcoat Schedtler offers new insights on this topic, arguing that royal and messianic ideologies and discourses are not merely evident in the book of Revelation but also constitute one of its primary organizing principles. Moreover, they shape Revelation's Christology. Schedtler explores ideologies of kingship in the ancient Greek and Roman world, as well as Second Temple Judaism. Making previously unexplored connections in Revelations' ideological portrait of the Lamb, he shows that the portrayal of Jesus as God's chosen viceregent, offers new insights into several of the central Christological tenets in the text. They include the Lamb's reception of the scroll to rule on God's behalf, his place on a heavenly throne, the many benefactions he offers to those who remain faithful to him, and the hymnic praise he receives in response.
In this chapter, we seek to understand the Mishnah and its meanings in its final form. We consider the shape of the Mishnah, the subjects it does and does not include, the qualities of its language and rhetoric, its relationship to canonical scripture and other parts of the pre-rabbinic tradition, and so forth. Crucially, we analyze a variety of key examples of the Mishnah to gain a genuine sense of its approaches. With an eye toward these considerations, we review the range of characterizations that have been offered for the Mishnah. We consider the theories of modern scholars who have made claims for the meaning of the Mishnah in its late antique Palestinian context and suggest some refinements of our own. In the end, we emerge with an appreciation of both the Mishnah’s rhetoric of tradition, on the one hand, and its bona fide radical qualities, on the other. Having characterized the Mishnah, to the best of our abilities, we then consider the question of when the Mishnah came to the precise shape we know, and ask about its realm of authority, whether among the rabbis or beyond.
Virgil's fourth Eclogue is one of the most quoted, adapted and discussed works of classical literature. This study traces the fortunes of Eclogue 4 in the literature and art of the Italian Renaissance. It sheds new light on some of the most canonical works of Western art and literature, as well as introducing a large number of other, lesser-known items, some of which have not appeared in print since their original publication, while others are extant only in manuscript. Individual chapters are devoted to the uses made of the fourth Eclogue in the political panegyric of Medici Florence, the Venetian Republic and the Renaissance papacy, and to religious appropriations of the Virgilian text in the genres of epic and pastoral poetry. The book also investigates the appearance of quotations from the poem in fifteenth- and sixteenth-century fresco cycles representing the prophetic Sibyls in Italian churches.
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