In the decade following independence, the Tunisian state embraced secular feminism as part of the single-party monopoly on political life and economic development. Yet its celebration of new family laws as an aspect of modernization was marred by anxieties about the sexual and moral implications of modern womanhood. Tracing references to the miniskirt in presidential speeches and the women's press, I demonstrate how efforts to delineate the boundaries of proper appearance gave tangible form to the amorphous question of morality. Parallel concerns about long-haired youth further indicated the bourgeois basis of the modernizing visual aesthetic as it restrained young men. Through fashion, urban educated women utilized the press to negotiate the limits of the more politically sensitive topic of state feminism. Middle-class debates about dress reveal that nationalist secular feminists who benefitted from the state's definition of women's rights questioned hegemonic conceptions of womanhood and articulated alternate versions of masculinity.
