We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
I argue that “The Rotation of Crops” represents one of two culminations of the aesthete’s (i.e., “A’s”) position in Either/Or. Under the guise of his bantering remarks, A sketches a theory of the modern self as specifically constituted in relation to the problem of boredom: To be modern is to be bored and to be motivated by the desire not to be bored. A’s boredom is thus in some sense an experience of ultimate significance, a religious experience imminent within the terms of the secular life itself. A’s solution to the problem of boredom turns out therefore to require a wholesale conversion; the cure is nothing short of a totalizing spiritual practice that one must make the center of one’s life, if one hopes to keep things interesting. A’s position amounts at once to a transcendental critique and to a theology of boredom.
How to explain the curious movements in which people of the past engaged? Critique of interpretivist approaches – cultural theory and post-modernism. Movements as intentional acts are best described by means of cognitive theory and phenomenology. Movements as a matter of attuning oneself to the mood of the situation one is in. All meaning is grounded in such fundamental movements. The history of movement is a history of the world that we made.
In Chapter 8 I examine Lacoste's study of affective experience and consider the possibility that God might be recognised in the affect as an event. For Lacoste, God’s presence to affection takes place in moods rather than feelings. The recognition that God has passed in experience is always subject to self-deception and must be tested against the tradition of the believing community. Revelation and truth are connected by means of Augustine's reversal: when it comes to God, we do not love what we first know but know what we first love. This attends to the paradox that occurs in the reception of phenomena appearing only to freedom – paradoxical phenomena appear as credible rather than indubitable and are open to acceptance or rejection. For Lacoste, such phenomenality ‘cannot be perceived without our decision to see it’ and begins in ‘an experience formed in the element of non-self-evidence’. It arouses love; it is the experience of love that first draws the 'believer'. Revelation touches experience in an encounter that is felt before it is known. Prepredicative, signifying by way of moods rather than feelings, the revelatory encounter is primarily relational rather than doctrinal.
As many chapters in this book describe, aging, even in the absence of disease, is associated with many changes in brain function. Emotions are among the major factors that determine our actions and interactions, as well as our quality of life. Emotions are primarily mediated by the brain, and thus, with aging, there can be alterations in brain functions that can change emotional functions. This chapter will discuss changes in the brain with aging and how these changes can alter the means by which we communicate, experience, and control and regulate emotions.
Throughout his writings Heidegger presupposed a phenomenological reduction of being to meaning. This chapter tests this thesis by re-interpreting two terms in Heidegger's philosophy: Ereignis and facticity. Both these terms come down to the same thing: a priori appropriation of man to the meaning process. Everyone is used to hearing that "being" is Heidegger's core topic. First, being is always the being of beings, whereas Heidegger insisted that the being of beings was not the central issue of his thinking. The second reason why "being" is not Heidegger's core topic is that once one has taken the phenomenological turn, the only philosophical issues that remain are questions of meaning. Heidegger begins his analysis of the absurd with everyday, ordinary moods that disclose to our affective understanding not only the meaning of individual things in our lived experience but also the encompassing context that gives them meaning.
Abnormalities of mental state are frequently treated in psychiatry merely as symptoms that act as sign-posts pointing towards particular diagnostic conclusions. This chapter describes the mental phenomena prior to their becoming part of the formulation of particular disorders, but for convenience and coherence some common syndromes, such as mania, are used to draw together the associated phenomena. A hierarchy moving from feelings through emotions, moods, and affective state to temperament involves increasing complexity in terms of state of mind and usually to an increasing duration of that state. Delusion involves abnormal beliefs that arise in the context of disturbed judgements and an altered experience of reality. Depersonalisation and derealisation are assumed to arise from a disruption in the functions of consciousness to create amnesia, dissociative identity disorder and depersonalisation disorder. Speech disorder is usually separated from language and thought disorder.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.