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Edited by
Alejandra Laera, University of Buenos Aires,Mónica Szurmuk, Universidad Nacional de San Martín /National Scientific and Technical Research Council, Argentina
At the beginning of the nineteenth century the term “literature” was used broadly to describe any printed text. By the turn of the century, its meaning had narrowed to refer specifically to aesthetic verbal objects with distinctive features of authorship and form. This change was brought on by rapid transformations in print culture. Literature created its readership mainly through periodicals: newspapers, leaflets, pamphlets, illustrated weeklies, magazines of mass and high culture. Periodicals were not only the medium for all literary genres but were also key in the professionalization of writers and the making of national literatures. They were a powerful tool to shape the literary imagination of a growing and increasingly more diversified reading public. Through the publication of serialized novels, essays, and reviews, periodicals such as La Nación, Sud-América, and Caras y Caretas were essential to the process of literary autonomy in Argentina. In this chapter the history of this process is outlined and those cases in which developments in print culture framed some of the most significant works of Argentine literature are discussed.
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