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The Confucian “way of knowing” was validated through classical texts that transmitted the wisdom of antiquity. Early Song rulers promoted Confucianism as the ideological foundation of the state, and the reformulation of Confucianism commonly known as “Neo-Confucianism” took place against the backdrop of the newly unified Song dynasty. Well before the Song, the establishment of government schools and the examination system institutionalized early ideals of learning, transforming them into knowledge useful for governing a bureaucratic state. During the Song, debates over the content of the examinations – and thus what kinds of knowledge were valued – were sparked by political disputes, but disagreements were also based on deeply held beliefs about the meaning of learning and the purpose of knowledge. The cosmological underpinnings of Confucianism were articulated and transmitted through new interpretations of the Classics in the Northern Song, synthesized and systematized by the Neo-Confucian thinker Zhu Xi (1130–1200). History was a way of knowing distinct from the Classics as a source of political and philosophical principles. The Jurchen Jin incorporated and adapted these ways of knowing with their own in their rule of the north. The introduction of print technology altered people’s relationship to texts and to the transmission of knowledge.
This Element aims to critically examine the philosophical thought of Im Yunjidang 任允摯堂 (1721–93), a female Korean Neo-Confucian philosopher from the Chosŏn 朝鮮 dynasty (1392–1910), and to present her as a feminist thinker. Unlike most Korean women of her time, Yunjidang had the exceptional opportunity to be introduced to a major philosophical debate among Korean Neo-Confucians, which was focused on two core questions-whether sages and commoners share the same heart-mind, and whether the natures of human beings and animals are identical. In the course of engaging in this debate, she was able to reformulate Neo-Confucian metaphysics and ethics of moral self-cultivation, culminating in her bold ideas of the moral equality between men and women and the possibility of female sagehood. By proposing a 'stage-approach' to feminism that is also sensitive to the cultural context, this Element shows that Yunjidang's philosophical thought could be best captured in terms of Confucian feminism.
Based on a neo-Confucian vision that the monarch’s mandate relied on listening to his people’s grievances, the Joseon state (1392–1910) empowered subjects regardless of gender or status to petition the sovereign regarding grievances not rectified in lower courts. While Joseon-era women are usually considered to have been silent subjects outside the home, their petitioning activity shows that women, irrespective of their status, had the same legal rights as men to appeal grievances to the state. This chapter parses women’s linguistic practices in claims-making to show how their petitioning rights complicated gender dynamics of Confucian society. The gender hierarchy was reinforced through women’s narrative strategy as they appropriated discourses of domesticity. At the same time, I posit that women as legal agents were re-gendering legal identity by constructing a sense of personhood via their petitioning. Through gendered claims, women struggled to defend not only themselves and their sense of morality but also their entire family.
Prior to the late nineteenth century, Chinese scholar-officials studied ancient Chinese history to make sense of contemporary affairs. Thus, rather than situating themselves in global space when they traveled outside China, they attempted to situate the world within China’s historical time. This chapter contends that world-historical writing emerged in China in the early twentieth century after the rise of print capitalism as an attempt to address concerns about global space. Specifically, the question of how to make sense of China’s decline in the global order motivated scholarly interest. In this effort, the temporal dimension of ancient history remained relevant. In An Outline of Western History, Zhou Weihan juxtaposes the histories of foreign countries with Chinese chronologies. Zhou’s book is possibly the first Chinese-language work on ancient world history written by a Chinese scholar. In it, he stresses the value of ancient history and dismisses notions of fundamental differences among cultures in modern identities. As he repeatedly asserts, “Peoples throughout China and the West are alike – their intellects are the same.” Zhou’s absence of a cultural nationalist view is especially striking compared to the views expressed in later nationalist works published in China by the end of the twentieth century.
A hallmark of the Song dynasty's achievements was the creation of a national network of state-sponsored local schools. This engendered an exponential growth of commemorative inscriptions dedicated to local government schools. Many authors used these inscriptions as an avenue to expound and disseminate their visions of schools and education. Using the methods of network analysis and document clustering, this article analyzes all the inscriptions extant from Song times for local government schools. It reveals a structural schism in the diffusion of ideas between the Upper Yangzi and other regions of the Song. It also demonstrates the growing intellectual influence of Neo-Confucian ideologues that gradually overtook that of renowned prose-writers. Methodologically, this article provides an example of how diverse digital methods enable us to handle a large body of texts from multiple perspectives and invite us to explore connections we might not have otherwise thought of.
Of all the years that spanned the Tokugawa period, the middle years, Tokugawa chūki, called the eighteenth-century, are distinguished by the creative achievements realized along a broad front. Important innovations were introduced in theater, literature, and printmaking in the arts and, more pertinent to this chapter, into reflections on history, nature, and political economy. As a cosmological system authorized by a transcendent moral absolute, the "Great Ultimate" or taikyoku, Neo-Confucianism articulated a sharp division between the Tokugawa era of peace and tranquility and the immediately preceding Sengoku period of constant warfare. The interplay between principle and play provides people with a key perspective into late-eighteenth-century syncretism. From Ogyū Sorai and Dazai Shundai on down through the Nakai brothers, Seiryo, Toshiaki, and Daini, there is a consistent theme of skepticism regarding the validity of the aristocracy that was contained in general discussions about history and nature.
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