We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter considers why Roman comedy was important generally for Catullus and what about this genre caught his attention in the first place. The chapter suggests that three qualities of the genre are especially pertinent to this question: (1) a nugatory sensibility; (2) a domestic, urban, and local perspective; (3) an interest in Greco-Roman hybridity and translation. Throughout this book, the author returns to these overarching themes, which can be seen to undergird Catullus’ engagement with Roman comedy, but here he sketches their essential features by using a few concrete examples in the Catullan corpus that highlight the poet’s theatrical outlook but whose comic substructure has gone overlooked or underappreciated.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.