Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

2 results

  • Chapter 1 - The Authorial Voice of Occasional Literature

  • Ingela Nilsson, Uppsala Universitet, Sweden
  • Book:
    Writer and Occasion in Twelfth-Century Byzantium
    Published online:
    03 December 2020
    Print publication:
    17 December 2020, pp 1-24

  • Summary

    Chapter 1 introduces the object of this monograph: to present a new reading of the complete works of Constantine Manasses, thereby offering a potential model for analysing other authorships based on commission and patronage. The primary focus here is on the key concept of occasional literature and its specific position between writer and patron, fiction and reality. The latter is defined in terms of two kinds of referentiality: on the one hand, the text’s connection to the occasion (pretext/performance); on the other, its (literary/potentially fictive) representation of a ‘reality’ that is relevant to that occasion. It is assumed that writing on command privileges originality and encourages the challenging of conventions. A society like twelfth-century Byzantium, in which occasional poetry and rhetoric had central positions, therefore called for a strong and individual voice of the author, since the voice was the primary instrument for a successful career.

Writer and Occasion in Twelfth-Century Byzantium
  • The Authorial Voice of Constantine Manasses
  • Ingela Nilsson
  • Published online:
    03 December 2020
    Print publication:
    17 December 2020
  • In twelfth-century Constantinople, writers worked on commission for the imperial family or aristocratic patrons. Texts were occasioned by specific events, representing both a link between writer and patron and between literary imagination and empirical reality. This is a study of how one such writer, Constantine Manasses, achieved that aim. Manasses depicted and praised the present by drawing from the rich sources of the Graeco-Roman and Biblical tradition, thus earning commissions from wealthy 'friends' during a career that spanned more than three decades. While the occasional literature of writers like Manasses has sometimes been seen as 'empty rhetoric', devoid of literary ambition, this study assumes that writing on command privileges originality and encourages the challenging of conventions. A society like twelfth-century Byzantium, in which occasional writing was central, called for a strong and individual authorial presence, since voice was the primary instrument for a successful career.