Violence that enters the lives of precarious subjects exists in the form of insurgency, rebellion, and even roguery. The chapter opens with a reading of two texts: Michael Peel’s A Swamp Full of Dollars, about a real-life journalist with a penchant for literary devices, and Helon Habila’s Oil on Water, about a fictional journalist with social realist proclivities. By employing literary devices charged with concealed violence, both texts reveal that precarity breeds insurgent violence. Each treats Delta militancy as a metaphor – a symptom of inequalities crystallized into insurgency – and traces other absent metaphors, including naturalized violence, that are laden with militancy: area boys, urban gangs, and precarious ecologies. This is followed by a reading of the “subterranean violence” in Tony Nwaka’s Lords of the Creek: rather than addressing the root cause of insurgency, Nwaka’s novel reveals how the oil fraternity and power elites manufacture a false sense of emergency to crush militants. Thus, the real emergency concealed under the second order of diegesis implodes into insurgent violence. The play of the militant tropes in the three texts is complemented by the “routine violence” in Tiny Sunbirds Far Away, where militancy becomes a response to violent disruption of the daily routines of Delta populations.