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This chapter discusses how the layout and organisation of the ancient Roman house comprised a veritable Mise-en-scène in which both patrons and guests expressed and were conditioned by a culture and aesthetic practices in which the theatre was a dominant influence. It analyses the spatial and decorative organisation of Roman domestic spaces, and describes how these created an intensely theatricalised ambience which directly impacted upon and was reflected in the behaviour of both patrons and guests.
This chapter deals again with the influence of law on philosophy, now with regard to a substantive issue. Under the influence of the Roman jurists, for whom private property was an important topic, the ‘Roman’ Stoics followed suit, and awarded private property a novel, central place in thinking about justice, a place which would have a decisive influence on modern, Western political thought.
An encouragement to asceticism and celibacy began early in the Christian movement, prompted by two different factors: first, adoption of a certain tendency in the Platonic world-view to see the body and the material world as obstacles to attainment of union with God; second, the historical memory of Jesus choice to remain unmarried, probably motivated by the different factors of apocalyptic world-view and the prophetic call. The threefold division of family life into relationships of the male head of household, the paterfamilias, with wife, children and slaves, was popularised by Aristotle. The Jewish marriage contract, the ketubah, followed the custom of specifying what property the wife brought into the marriage, so that in the case of divorce it would accompany her back into her own family. A fairly clear profile of the ideal Christian life emerges from the sources: prayer many times daily, innocence of immoral conduct, stable marriage and family, regular fasting, constant attention to the poor and needy.
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