Only five years ago, Montserrat was a blank spot on the distribution map of islands in the Lesser Antilles where petroglyphs were known. In January 2016, hikers in Soldier Ghaut, a deeply incised watercourse in the northwest of the island, came upon a panel of nine petroglyphs engraved on a nearly vertical wall of volcanoclastic tuff. Soon afterward the petroglyphs were documented by the Survey and Landscape Archaeology on Montserrat project (SLAM). Then in January 2018 an additional petroglyph was spotted on a large slab of rock, detached from the rock wall on the opposite side of the ghaut. At the invitation of the Montserrat National Trust (MNT) and with European Union funding, Susana Guimarães and Christian Stouvenot traveled to Montserrat in 2018 to assist in further studies at the site. They conducted photogrammetric documentation and photography under enhanced lighting conditions and inspected the petroglyphs and their context in detail in order to advise MNT about their conservation and provisions for public access. This report presents this new group of petroglyphs and their landscape setting and considers questions of dating and interpretation.

Red Bird was a Cherokee murdered at the Red Bird River Petroglyph site (15Cy51) and buried at the Red Bird River Rockshelter (15Cy52) during the late eighteenth century, where he left an important record of traditional petroglyphs. His legacy is key to understanding the origins of Sequoyah's Cherokee Syllabary and its relationship to rock art. Personal testimonies of Red Bird's descendants are supported by primary documents and archaeological evidence, including the letters of Sequoyah's maternal uncle, John Watts, and prototypes of Cherokee Syllabary characters engraved at 15Cy52 in 1808, when members of Sequoyah's matrilineal family resided nearby.

Patolli petroglyphs were recently identified at two archaeological sites in northeast Honduras. Patolli is a Mesoamerican game of chance described in ethnohistoric sources and documented in archaeological contexts in many parts of Mesoamerica. Thus, it has been characterized as an important element of Mesoamerican culture. The existence of patolli boards at Plan Grande, on the island of Guanaja, and at Sawacito in northeast Honduras shows that the practice of the game extended farther to the east than earlier presumed and indicates long-distance interaction. Given the considerable number of five patolli petroglyphs at Plan Grande, I characterize the site as an important center.