We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Overview is inseparable from its retrospective dimension in any look back on the evolution of the codex under shifting technical conditions, from moveable type to pixel backlight. A “cross-sectional” approach to the book/text/medium triad involves chapters arranged here in three respective pairs. First (Part I): the plastic art of the codex, divided between the graphics of easel treatment and conceptual book sculpture. Next (Part II): in close comparison with such material form, an intensive reading of phonemic wording – in its mediating linguistic texture – thrown into relief by visual rather than verbal “signage” in narrative cinema as an alternative time-based medium. Finally (Part III): the ontology of human speech pursued, over against its media ideology, by contemporary theorists Giorgio Agamben and Friedrich Kittler. The introduction also looks back on the “speakwrite” in George Orwell’s 1984 as a mode of dictation contrasted with the transgressive sensuality of handwriting on outmoded paper pages early in the novel.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.