We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Early modern printmakers trained observers to scan the heavens above as well as faces in their midst. Peter Apian printed the Cosmographicus Liber (1524) to teach lay astronomers their place in the cosmos, while also printing practical manuals that translated principles of spherical astronomy into useful data for weather watchers, farmers, and astrologers. Physiognomy, a genre related to cosmography, taught observers how to scrutinize profiles in order to sum up peoples' characters. Neither Albrecht Dürer nor Leonardo escaped the tenacious grasp of such widely circulating manuals called practica. Few have heard of these genres today, but the kinship of their pictorial programs suggests that printers shaped these texts for readers who privileged knowledge retrieval. Cultivated by images to become visual learners, these readers were then taught to hone their skills as observers. This book unpacks these and other visual strategies that aimed to develop both the literate eye of the reader and the sovereignty of images in the early modern world.
Chapter 8 focuses on the graphemes underlying the letters i and y, and in particular <i> and <y> in word-initial, word-medial and word-final positions, as well as <ie> and <ye> word-finally. Between the sixteenth and the seventeenth centuries, i and y shifted from an early distribution principle to a new, modern standard, which generally resulted in the establishment of vocalic <i> word-initially and word-medially, as well as <y> for glides word-initially and for vowels word-finally. The analysis establishes the presence of a quantitative shift in the wholesale uses of <i> and <y> between the sixteenth and the seventeenth centuries, and provides a precise chronology for the standardisation of word-initial, word-medial and word-final graphemic changes in i and y. While it is true that their modern standardisation occurred rather gradually between the 1540s and the 1580s, the shift from ˂y˃ to ˂i˃ also happened relatively uniformly across the vocabulary, encompassing both high-frequency and low-frequency lexical items immediately from as early as the 1540s.
Chapter 10 focuses on the standardisation of vowel diacritic spelling, and especially groups of graphemes indicating vowel quality and vowel quantity. Between the sixteenth and the seventeenth centuries, <ea˃ and <oa˃, indicating vowel quality, as well as <dg> and <g>, <tch> and <ch>, and <k> and <ck>, for vowel quantity, shifted from an early distribution principle to a new, modern standard. The results show a modern development that lasted throughout most of the sixteenth century, both in the two digraphs and in the consonantal alternants. By the seventeenth century, the uses of vowel diacritic spelling appear to have crystallised despite later ongoing vocalic developments in Early Modern English. The changes in the sets of graphemes investigated occurred uniformly across two generations, both at vocabulary level, encompassing high-frequency and low-frequency words concurrently, and also across most of the spelling units analysed. As for all the other case studies, my results indicate that there may have been a pragmatic agent behind the modern developments in vowel diacritic spelling.
Chapter 7 deals with the redistributions of ˂u˃/˂v˃ and ˂i˃/˂j˃ in word-initial position. The main empirical finding is a sudden shift from an earlier graphotactic distribution to a phonographic one, which occurred between the 1620s and 1640s. From the quantitative and qualitative results collected for the positional spellings, a compelling linguistic scenario becomes apparent behind the positional redistribution. By taking an eclectic, large-scale perspective on spelling standardisation, one can overcome some of the variables that inevitably correlate, and likely underlie, any abrupt spelling changes in small, specific collections, for example the latent influence of different exemplars between different editions of an individual text. Departing from a more precise understanding of the chronology and the lexical diffusion of the positional spellings, this case study uncovers, for the first time, some of the mechanisms involved in the uses of different positional spelling conventions between the sixteenth and the seventeenth centuries. In particular, the chapter argues for a close connection between the abrupt, one-generational changes in the uses of word-initial ˂u˃/˂v˃ and ˂i˃/˂j˃, and compositional factors that affected the Early Modern English printing industry.
Chapter 9 focuses on the analysis of etymological spelling, and especially the insertion of <b>, <c>, <d>, <l> and <p> in Early Modern English word forms, the development of alternant <aun> and <ph>, and the rationalisation of <er>/<ar>. My results indicate that etymologised spellings appeared increasingly more markedly between the early and the mid-sixteenth century, while only a percentage of the forms which developed during these decades continued until the seventeenth century. My investigation shows that the etymologising developments in epenthetic graphemes, <aun>, <ph> and <er>/<ar> spread out not gradually, from high-frequency words to lower-frequency ones, but rather at largely comparable frequencies across most of the English vocabulary, albeit somewhat erratically and haphazardly across legitimate and illegitimate etymologies. The discussion reflects upon the development of the etymological spellings, focusing especially on the potential interaction between authors and printers as agents responsible for the modern standardisation during the process of in-house proofreading. Overall, I suggest, changes occurring in the English printing industry were primarily responsible for the different etymologising trends between the sixteenth and the seventeenth centuries.
Chapter 3 provides an overview of some of the most fundamental developments in the market of early English print, as well as changes in the organisational and political arrangements of the business of printing in Early Modern England. These pieces of information will be pivotal for understanding the dynamics of spelling standardisation uncovered in the case studies to be included in the book. The chapter departs from the idea that the printing press was not, on its own, an agent of change; instead, printing acted as a bridge from handwriting to mass book production, generating, sustaining and organising manuscript features. The chapter also describes the connections between the English printing industry and broader organisational changes, covering milestone events like the establishment of the Stationers’ Company in 1557, the implementation of censorship rules from the English government, the formation of the English Stock and some of the major typographic innovations introduced at the time.
Bibliographers have been notoriously 'hesitant to deal with liturgies', and this volume bridges an important gap with its authoritative examination of how the Book of Common Prayer came into being. The first edition of 1549, the first Grafton edition of 1552 and the first quarto edition of 1559 are now correctly identified, while Peter W. M. Blayney shows that the first two editions of 1559 were probably finished on the same day. Through relentless scrutiny of the evidence, he reveals that the contents of the 1549 version continued to evolve both during and after the printing of the first edition, and that changes were still being made to the Elizabethan revision weeks after the Act of Uniformity was passed. His bold reconstruction is transformative for the early Anglican liturgy, and thus for the wider history of the Church of England. This major, revisionist work is a remarkable book about a remarkable book.
Recent levels of scholarly activity suggest that Jonathan Swift and Edmund Burke remain the pre-eminent Irish writers of the period 1700–1780. Swift’s works are currently being newly edited under the auspices of Cambridge University Press and a new edition of his Correspondence was completed in 2014. It is timely, therefore, to take stock of how these and other bibliographical and critical resources have altered our approach to Swift. The present chapter conducts this assessment, first by looking at the kind of normative critical approach with which the author was himself furnished when encountering Swift as a student; and subsequently by surveying the areas of biography, Irish studies, and book history in which research activity since 2010 has been intense. The chapter discusses recent critical approaches to Swift, identifying the paradigms which studies of this highly controversial writer create and challenge, asking what it means to read Swift in the twenty-first century.
By the 1650s, the Stationers' Company was attempting to stem the tide of piracy by buying counterfeit almanacks, and taking legal action against offending printers. Transgressors who belonged to the Company, many of whom printed for the English Stock, were summoned to appear before the Court. The Company continued to pounce on the sellers of unstamped almanacks, but, even by 1750, several formidable individuals had begun to infringe upon and challenge the principle of perpetual copyright. In 1834, when the Stationers pressed for a further increase in stamp duty, Parliament 'decided that the privilege was outmoded and had been ill-requited and abolished the tax altogether'. At the same time the Company was attacked for failing in its moral duty by pandering to the superstitious and sensation-loving lower orders rather than publishing educational and improving works.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.