This chapter seeks to remedy the decontextualization of Donnes Songs and Sonnets, to restore them alongside not only Donnes satires examined in Chapter 2, but also the other poets and writers that appear in this book and that were Donne’s closest peers. In doing so, the aim is both to resituate these lyrics amidst the urban culture in which Donne was so immersed through nearly all of his writing life and to connect these quintessentially metaphysical poems to the contemporary urban writing of the 1590s. Donnes lyrics reveal a similar concern with the social worlds of London in their persistent attempts to close out the particulars with which Nashes prose and the Inns satires engage. As a result, these poems are as much about the spatial realities of urban everyday life as they are about desire. Stylistically Donne’s Songs and Sonnets look less like a clean break with the past and more like an affirmation of an urban aesthetic that suffused the literary works of a certain subsection of 1590s London. Donnes lyrics take up the skeptical materialist style of this group of urban writers, at once obscure, various, and vibrantly immediate.