We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter explores the genealogy of the phrase ‘from the sublime to the ridiculous’, tracing the saying from Romantic period attributions to Thomas Paine and Napoleon back to seventeenth-century debates about the sublime as a literary style. Ridiculousness haunts sublimity from Longinus’s discussions of the comic in his treatise to Kant’s consideration of humour as an affect uncannily akin to the sublime. Returning to Romantic period theorizations of the ridiculous, the chapter considers Jean Paul Richter’s aesthetics and his influence on S. T. Coleridge’s thinking about humour as providing alternative perspectives on key Romantic concepts including our relationship to nature, society, and childhood.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.