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If one considers the Kantian cosmopolitan to be the result of political and cultural forces specific to Western European societies, then it is no more than a situated form of local knowledge. There were other forms of local globalism that were as situated as the Kantian cosmopolitan. The difference is that the forms of Catholic local globalism that I discuss here never became normative and universal. Moreover, the forms of local globalism explored in this essay never acquired the geopolitical epistemological authority to cast Kant as a parochial Prussian whose ideas were no more than one version of local globalism. In an unexpected turn, the Enlightenment notion of the cosmopolitan acquires the epistemological authority to cast the Black, nuns, and Indigenous intellectuals explored in this piece as parochial and local. This essay offers an alternative to early-modern forms of the local “cosmopolitan,” namely, individuals who often did travel physically more than Kant, with the exception of a few nuns who, like our Prussian, imagined the globe as a whole by firmly staying in one place.
The German mystic Gertrude the Great of Helfta (c.1256–1301) is a globally venerated saint who is still central to the Sacred Heart Devotion. Her visions were first recorded in Latin, and they inspired generations of readers in processes of creative rewriting. The vernacular copies of these redactions challenge the long-standing idea that translations do not bear the same literary or historical weight as the originals upon which they are based. In this study, Racha Kirakosian argues that manuscript transmission reveals how redactors serve as cultural agents. Examining the late medieval vernacular copies of Gertrude's visions, she demonstrates how redactors recast textual materials, reflected changes in piety, and generated new forms of devotional practices. She also shows how these texts served as a bridge between material culture, in the form of textiles and book illumination, and mysticism. Kirakosian's multi-faceted study is an important contribution to current debates on medieval manuscript culture, authorship, and translation as objects of study in their own right.
This chapter directly addresses a popular literary-historical comparison between two well-known scenes, the encounter of Gilgameš and Ištar in the Epic of Gilgameš VI, and the encounter of Diomedes and Aphrodite in Iliad 5, but draws attention to possible links between the Gilgameš episode and the Mesopotamian lexical tradition. These links suggest that the episode may have emerged from a specifically Mesopotamian scholarly or didactic background, which, the author argues, makes scenarios of oral transmission of Gilgameš to the Greek world seem questionable. As in the case of Enūma eliš, the immediate Mesopotamian context of Gilgameš will have to be taken into account in any comparative effort to situate the literary texts in an even broader context.
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