This chapter opens with a brief survey of suffrage literature and the scholarship it has generated before honing in on a particular example: Constance Maud’s No Surrender. This novel conforms to many characteristics of suffrage fiction, playing on romance conventions and integrating fictionalised episodes from the real-world campaign. But even as No Surrender is a campaigning novel, it is also a novel of a campaign that registers and reflects the tensions that characterised the movement. Social class was a deeply contentious issue for the campaign and is one this chapter considers with a focus on Maud’s presentation of Lancashire mill-worker, Jenny Clegg. Maud’s novel raises questions about representation, authenticity, and appropriation, questions that have troubled feminist theory and practice. This chapter suggests that a fuller familiarity with the internal debates of the campaign – particularly those between adult and woman suffragists – results in a more precise sense of how the novel works as propaganda. A corollary of such a contextual approach is that more self-reflexive and self-questioning currents in No Surrender that run parallel to its primary propagandising ones are made visible.

Civil rights was the most successful formative movement in American history, which stretched from the campaign against lynching in the early 20th century to the alliance with the labor movement in the New Deal to becoming a mauor component of the New Deal coalition and the Great Society. But as the movement grew, it also diversified and triggered a counter-movement in the form of white citizens’ Councils, Klan violence, and Nixon’s southern strategy.