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3 results

  • Chapter 3 - Experiments in Surtitling

  • from Part I - Translation as Medium and Method
  • Edited by Avishek Ganguly, Rhode Island School of Design, Kélina Gotman, King's College London
  • Book:
    Performance and Translation in a Global Age
    Published online:
    10 August 2023
    Print publication:
    29 June 2023, pp 64-86

  • Summary

    This chapter critically explores the implications of including: surtitles in live performance; a multilingual performance archive; and live streaming of a live performance. Drawing on the subjective experience of translation through a live forum theatre piece, Exit (2018) by Drama Box (Singapore), online video recordings of Macbeth (2007) by Tainaner Ensemble and Li Er Zai Ci (2001) by Contemporary Legend Theatre, and both a live staging and YouTube streaming of Beware of Pity (2017) by Complicite and Schaubühne Berlin, the chapter considers how audience members access language through both hearing and seeing them as surtitles. This extends to how textual display and spoken language can combine to determine the subjective experience of a multilingual performance. Hearing affects what one sees on stage, and vice versa, particularly in a context where translation plays an important role.