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In a world that is constantly awake, illuminated and exposed, there is much to gain from looking into the darkness of times past. This fascinating and vivid picture of nocturnal life in Middle Eastern cities shows that the night in the eighteenth-century Ottoman Empire created unique conditions for economic, criminal, political, devotional and leisurely pursuits that were hardly possible during the day. Offering the possibility of livelihood and brotherhood, pleasure and refuge; the darkness allowed confiding, hiding and conspiring - activities which had far-reaching consequences on Ottoman state and society in the early modern period. Instead of dismissing the night as merely a dark corridor between days, As Night Falls demonstrates how fundamental these nocturnal hours have been in shaping the major social, cultural and political processes in the early modern Middle East.
While the night posed a challenge to authority of the sultan, it was also opportunity to showcase the power of the ruler. By illuminating mosques, Sufi lodges and palaces; in public and private light spectacles, and through court-produced texts, Ottoman sultans in the eighteenth century sought to associate themselves with light and through this association, to project their power and legitimate it in the eyes of their subjects and rivals. The two mediums, words and light, were intentionally and intricately connected to serve this purpose. While Ottoman use of actual and figurative light to project royal power and legitimacy had a long history, the palace elite of the early eighteenth century, and in particular the ruling clique of the so-called Tulip Era (narrowly defined 1718–1730), took it to a whole new level.
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