As some of the most intensively devoted football fans in Germany, ultras coordinate crowd atmosphere in the arena to support their respective clubs on the field while actively positioning themselves against sport’s governing bodies, whom they see as corrupted by the strategies used to transform professional football from a game into a capitalist industry. Focusing on travel and transportation as a key feature of hardcore fandom, I examine the relationship between ultras’ activities in transit to games and their congregation in public spaces (on the streets, on trains, at rest stops, in stadia), in which quotidian ambience is often hijacked and repurposed as an estranged form of public address. I focus on the dynamic ways that ultras move through space as a means of charting the stages in which fan scenes become crowds, and crowds are mobilized as a means of protesting against the alienating dynamics of modern football, the contrasting stylistics of which result in divergent outsider interpretations and reactions from the state, the German Football Association (DFB), the media, and onlookers confronted by ultras’ public transgressions. Through the fan scene’s ability to coordinate movement and heighten bodily capacity, varied expressions of antisocial behavior become a means of harnessing fans’ own disaffection in a way that reclaims public space as it conjures a heightened emotive environment.
