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  • Chapter 12 - The Hulu and MGM Television Adaptation of The Handmaid’s Tale

  • Edited by Coral Ann Howells, Institute of English Studies, University of London
  • Book:
    The Cambridge Companion to Margaret Atwood
    Published online:
    19 March 2021
    Print publication:
    01 April 2021, pp 189-205

  • Summary

    This chapter analyzes the recent popular television adaptation of The Handmaid’s Tale, showing how serial storytelling has extended the social and political discussions begun by the novel. Specific attention is paid to the political implications of soundtrack and visual aesthetics, including the series’ allusions to painting, photography, and cinema, as well as costume, lighting, and choreography. The technique of alternating mass scenes, as in the Prayvaganza and the Particicution, overhead shots, and shallow focus close-up is considered. The visual impact of the Handmaids’ costumes extends to their widespread use in contemporary human rights demonstrations. Finally, the chapter reviews viewers’ responses both positive and negative, including concerns about the problematic “color-blindness” of the series. The debate around the series exposes the interdependence of aesthetic, intellectual, and moral categories that reflect a range of sociocultural preoccupations.