This chapter examines the countryside of late antique southern Gaul as a context for the development of popular culture at this time, making use of archaeological as well as literary evidence. It covers Provence, with a particular focus on the territorium of the city of Arles, although areas of western Languedoc are also considered due to the exceptional archaeological data available. Key themes and questions arising from recent scholarship are introduced to shape the discussion that follows before the landscape of the region is introduced. The inhabitants of the region are discussed next, in terms of their social and legal status, while the following section considers developments in settlement and social organisation, including the fate of the villa. A detailed look at livelihoods and patterns of productive activity follows. The final section looks at religious structures and landscapes, including the impact of the church in the late antique countryside.

Was demythologization driven by a change in taste among Rome’s aristocratic elite, as they increasingly retreated from public life to the comforts of their rural villas? This chapter turns to sarcophagi featuring bucolic and philosopher imagery, the most popular of the mythless genres, and to theories that appeal to politics, especially the changing political fortunes of Rome’s traditional senatorial families, when trying to account for their popularity.

The Roman imperial court was not confined to the palaces of Rome. Emperors owned lavish villas in rural and seaside areas of Italy, at which they and members of their court would often sojourn. This chapter examines the imperial villas for which there are substantial archaeological remains, including Tiberius’ Villa Iovis on Capreae, Domitian’s villa at Lacus Albanus, Hadrian’s villa at Tibur, and the Antonine Villa Magna near Anagnia. The remains of these complexes suggest that they were simultaneously places of luxurious leisure (otium) for emperors and their courtiers, but also locations where the serious business of running an empire could take place. A powerful ideological statement about the emperor’s power to transform nature itself was also encoded in the architecture of some of these villas.

At the beginning of the Roman Principate, there was no self-evident model for the residence of the Roman emperor. During a long period of experimentation, emperors and their architects attempted to fashion spaces appropriate to the social rituals of their courts and to the self-image they aimed to project. By the end of the first century, a viable palace model was established in Rome, and elements of this were then redeployed in the palaces of the Tetrarchic period. This chapter presents a selection of literary sources, archaeological plans, photographs, and computer visualizations to illustrate the developing Roman palace model, its Hellenistic forerunners, and its afterlife in the Tetrarchic period. It also contains a selection of sources relating to imperial villas in Italy for which there are archaeological remains. This collection shows that imperial villas did share some common features, even if a clear ‘imperial villa model’ never developed.

In this chapter, the literary, documentary, and archaeological evidence pertaining to horticulture and arboriculture in eastern Gallia Cisalpina and in Campania is investigated. The chapter argues that these two regions of Roman Italy played an important role for horticultural developments in the late Republic and early imperial era, both as producers of fruit and vegetables and possibly also as developers of new cultivars. The archaeobotanical record of Gallia Cisalpina also clearly shows that, from the Augustan era throughout the whole of the first century AD, the frequency and diversity of recovered remains of fruit greatly increased. These two regions had very important ports, Puteoli and Aquileia, which handled a large amount of trade coming from the rest of the Mediterranean and it is possible that these ports were entry routes into the wider region first, and the rest of Italy later, for new fruit trees coming from the eastern Mediterranean regions such as the peach, the apricot, and the citron/lemon.

Chapter 1 examines urban development in the predominately Judaean parts of Palestine. It demonstrates that urban development involved the gradual administrative, physical, and cultural transformation of Hellenistic settlements. Elite interests fueled urban development, but involved more than just consumption and exploitation. In Jerusalem, urban development stimulated trade and technological development, created jobs, and bolstered the pilgrimage economy centered on the Temple. The pace of urban development in the Galilee was slower than is usually presumed. Archaeological evidence shows that Tiberias witnessed considerable transformations in the first half of the first century CE, but Sepphoris did not become a proper city (polis) until the second half of that century. In order to complicate the assumptions about urban exploitation of rural producers, this chapter calls attention to the proliferation and relative stability of Galilean villages. It also highlights the diverse economic activities in semi-urban district centers like Magdala. Although most elites lived in cities, some resided in these district centers.

This chapter reads the cycle of letters to Quadratus and Fuscus of which Epistles 7.9 (Chapter 8) forms the keystone. Epistles 6.11 introduces these two young men as the bright future of Roman oratory, with a fanfare constructed from Quintilian (Institutio 10) and Tacitus’ Aper (Dialogus). Epistles 6.29 is the partner to Epistles 7.9, matching but varying its imitation of Quintilian and Cicero, as Pliny continues playing praeceptor in surprising and arch ways. Epistles 9.36 and 9.40, describing his villa routine to Fuscus, constitute the twin sphragis of the collection. These deceptively simple letters take us to the core of Pliny’s self-styling as man and author, perofmed with pregnant imitations which confirm Quintilian’s very special, and very personal, role in the Epistles.