We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Some late fourteenth- and early fifteenth-century compilations address both men and women, while employing the topos of the female religious reader to depict the exemplary Christian life for all. Other works offer specific connections with female, particularly aristocratic readers, both secular and religious. Book to a Mother explicitly addresses the mother of the author, a widow perhaps interested in joining a religious community while also addressing a lay public. As well as adapting anchoritic material, compilations also took up the spiritual teachings offered by Richard Rolleߣs vernacular writing. Disce mori, for example, both uses Rolleߣs texts and imitates the dynamics of Rolleߣs relations with his female readers, while also including a more general lay readership. Womenߣs writings, such as the Revelations of Birgitta of Sweden, play an important part too in compilations. Though evidence is scant, the example of Eleanor Hull suggests that women also acted as compilers. Compilations, then, demonstrate both the range and complexity of womenߣs involvement in devotional literary culture, and the wider significance of the female subject for devotional writers, male and female, in later medieval England.
Brandie R. Siegfried “considers three characteristics of [Cavendish's] volume of verse,” Poems and Fancies, arguing first that the book is "thoroughly engaged with philosophers and mathematicians, both ancient and modern: understanding the import of her poems often requires setting them in dialogue with those thinkers.” Second, Siegfried investigates the prefaces of Cavendish's poetry, further contending that they demonstrate a feminist sensibility as they explain her views for an audience that pointedly included women. Finally, Cavendish’s eclectic ideas are not simply the musings of a careless author, but rather are the works of a committed philosopher who uses the form of poetry to clarify her theories, making them more accessible to readers while “enhancing aesthetic pleasure through increased complexity and wit.” Giving special attention to Cavendish’s poetic revisions in Poems and Fancies, Siegfried further emphasizes the importance of Cavendish’s poetry for understanding the natural philosophy espoused in Philosophical and Physical Opinions, Philosophical Letters, and Observations upon Experimental Philosophy.
Feminist literary historians have in recent years turned their attention to the early modern period for tracking the emergence of women writers into print and positing a burgeoning market in female literature. An enquiry of this kind must look to the relationship between the terms woman and writer, and consider woman as subject-matter for and in print. Using the history of the book as the frame work for discussion situates both women as writers and women as written in the context of the operations of the book trade. It allows women writers to be seen in relation to the intermediaries between writing and print (transcriber, amanuensis, editor, printer, bookseller) and in relation to a growing market for books about women. It takes into account the role of women in the material production of print (as printers, publisher/booksellers, binders, mercuries, hawkers); and bringing into view the evidence for women as consumers of print (buying, owning and reading books).
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.