Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

2 results

  • Chapter 19 - Cuban Literature before 1920

  • from Part III - The Caribbean Region in Transition
  • Edited by Evelyn O'Callaghan, University of the West Indies, Tim Watson, University of Miami
  • Book:
    Caribbean Literature in Transition, 1800–1920
    Published online:
    16 December 2020
    Print publication:
    14 January 2021, pp 309-324

  • Summary

    This essay discusses the historical, literary, and geopolitical junctures that influenced the development of Cuban literature during the nineteenth century and turn of the twentieth century. It demonstrates how, albeit in contradictory ways, literature from this period became a means for criollo self-determination and self-reflection, rooted in literary forms like the nineteenth-century cuadro de costumbres, historical novel, and antislavery narrative.

    This essay then moves to the second half of the nineteenth century and explores the way in which the exile literature of José Martí and others was equally important in fostering a sense of national identity. However, an emphasis on Martí and his contemporaries has overshadowed the writing of Cuban women writers. Thus, this essay also argues that the Cuban women writers need to be put in conversation with the male-dominated intellectual tradition of Cuban literature. It concludes by analysing the importance of Nicolás Guillén’s avant-garde poetry for the reclamation of blackness in Cuban literature.

  • 20 - Women writing and women written

  • from LITERARY CANONS
  • Edited by John Barnard, University of Leeds, D. F. McKenzie, University of Oxford
  • With Maureen Bell, University of Birmingham
  • Book:
    The Cambridge History of the Book in Britain
    Published online:
    28 March 2008
    Print publication:
    14 November 2002, pp 431-452

  • Summary

    Feminist literary historians have in recent years turned their attention to the early modern period for tracking the emergence of women writers into print and positing a burgeoning market in female literature. An enquiry of this kind must look to the relationship between the terms woman and writer, and consider woman as subject-matter for and in print. Using the history of the book as the frame work for discussion situates both women as writers and women as written in the context of the operations of the book trade. It allows women writers to be seen in relation to the intermediaries between writing and print (transcriber, amanuensis, editor, printer, bookseller) and in relation to a growing market for books about women. It takes into account the role of women in the material production of print (as printers, publisher/booksellers, binders, mercuries, hawkers); and bringing into view the evidence for women as consumers of print (buying, owning and reading books).