We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter explores the ways in which modern works of Fantasy remake longstanding cultural forms. It modifies John Clute’s notion of taproot texts by focusing on larger-scale modes of meaning-making rather than individual influential works, examining the ways in which Fantasy is deeply informed by myths and legends, epic and romance, folk and fairy tales, and religions. Any one of these could be the subject for a book in itself, so the chapter employs a selective approach, giving a sense of each mode’s larger patterns, exploring how these have been taken up in Fantasy and examining a small selection of case studies. The myths and legends section focuses on how recent Fantasy texts remake the story of Hades and Persephone, considering Anaïs Mitchell’s musical Hadestown, Supergiant’s game Hades and Rachel Smythe’s webtoon Lore Olympus. Other key works discussed include Avatar: The Last Airbender, Sofia Samatar’s The Winged Histories, Angela Carter’s ‘The Bloody Chamber’ and Kelly Link’s ‘Travels with the Snow Queen’.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.