Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Introduction
- 230 Shakespeare’s Books
- 231 Fortunes of the First Folio
- 232 Collecting and Reading Shakespeare’s Quartos
- 233 Shakespeare Anthologies
- 234 Shakespeare in Quotation Marks
- 235 Shakespeare in Quotations in English
- 236 Shakespeare in Quotations in Spanish
- 237 Shakespeare in Quotations in French
- 238 Shakespeare in Quotations in German
- 239 Shakespeare in Quotations in Japanese
- 240 The HyperHamlet Project
- 241 Shakespeare into Fiction
- 242 Shakespeare as Protagonist
- 243 Shakespeare and Children’s Literature
- 244 Self-Help Shakespeare
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
238 - Shakespeare in Quotations in German
from Part XXIV - Shakespeare and the Book
Published online by Cambridge University Press: 17 August 2019
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Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Introduction
- 230 Shakespeare’s Books
- 231 Fortunes of the First Folio
- 232 Collecting and Reading Shakespeare’s Quartos
- 233 Shakespeare Anthologies
- 234 Shakespeare in Quotation Marks
- 235 Shakespeare in Quotations in English
- 236 Shakespeare in Quotations in Spanish
- 237 Shakespeare in Quotations in French
- 238 Shakespeare in Quotations in German
- 239 Shakespeare in Quotations in Japanese
- 240 The HyperHamlet Project
- 241 Shakespeare into Fiction
- 242 Shakespeare as Protagonist
- 243 Shakespeare and Children’s Literature
- 244 Self-Help Shakespeare
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
acculturationBach, C. P. E.Beethoven, Ludwig vanFerdinand FreiligrathGoethe, Johann Wolfgang vonGundolf, FriedrichHamletHeidegger, MartinIdealismKoberstein, AugustLeo, F. A.Mendelssohn-Bartholdy, FelixphenomologyAugust Wilhelm SchlegelSchubert, FranzTieck, LudwigTocotronic“unser Shakespeare” (“our Shakespeare”)Wieland, Christoph Martin
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1702 - 1704Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Blinn, Hansjürgen. The German Shakespeare: An Annotated Bibliography of the Shakespeare Reception in German-Speaking Countries (Literature, Theatre, Mass Media, Music, Fine Arts). Berlin: Schmidt, 1993.Google Scholar
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Further reading
Erken, Günther. “Die Rezeption Shakespeares in Literatur und Kultur: Deutschland.” Shakespeare Handbuch. Ed. Schabert, Ina. 4th ed. Stuttgart: Kröner, 2000. 635–60.Google Scholar
Greenfield, Sayre. “Quoting Hamlet outside Britain in the Eighteenth Century.” Shakespeare’s World/World Shakespeares. Proceedings of the International Shakespeare Association World Congress, Brisbane, 2006. Newark: U of Delaware P, 2008. 237–46.Google Scholar
Höfele, Andreas. “Raising Shakespeare’s Ghost.” Shakespeare im 18. Jahrhundert. Ed. Paulin, Roger. Göttingen: Wallstein., 2007. 303–20.Google Scholar
Ludwig, Alois. “Shakespeare als Held deutscher Dramen.” Shakespeare Jahrbuch 54 (1918): 1–21.Google Scholar
Merbach, Paul Alfred. “Shakespeare als Romanfigur.” Shakespeare Jahrbuch 58 (1922): 83–98.Google Scholar
Müller-Schwefe, Gerhard, ed. Was haben die aus Shakespeare gemacht! Weitere alte und neue deutsch-sprachige Shakespeare-Parodien. Tübingen: Francke, 1993.Google Scholar