Book contents
- Frontmatter
- Contents
- Editor's acknowledgments
- List of contributors
- 1 Introduction: aesthetics and ethics
- 2 Three versions of objectivity: aesthetic, moral, and scientific
- 3 Aesthetic value, moral value, and the ambitions of naturalism
- 4 On consistency in one's personal aesthetics
- 5 Art, narrative, and moral understanding
- 6 Realism of character and the value of fiction
- 7 The ethical criticism of art
- 8 How bad can good art be?
- 9 Beauty and evil: the case of Leni Riefenstahl's Triumph of the Will
- 10 The naked truth
- 11 Aesthetic derogation: hate speech, pornography, and aesthetic contexts
- Bibliography
- Index of names and titles
1 - Introduction: aesthetics and ethics
Published online by Cambridge University Press: 22 March 2010
- Frontmatter
- Contents
- Editor's acknowledgments
- List of contributors
- 1 Introduction: aesthetics and ethics
- 2 Three versions of objectivity: aesthetic, moral, and scientific
- 3 Aesthetic value, moral value, and the ambitions of naturalism
- 4 On consistency in one's personal aesthetics
- 5 Art, narrative, and moral understanding
- 6 Realism of character and the value of fiction
- 7 The ethical criticism of art
- 8 How bad can good art be?
- 9 Beauty and evil: the case of Leni Riefenstahl's Triumph of the Will
- 10 The naked truth
- 11 Aesthetic derogation: hate speech, pornography, and aesthetic contexts
- Bibliography
- Index of names and titles
Summary
This book brings together a number of new essays in an area of growing concern, namely the intersection or overlap of aesthetics and ethics. Recent developments aside, for the past thirty years or so in Anglo-American philosophy, aesthetics and ethics have been pursued in relative isolation, with aesthetics being generally regarded as the poorer, if flashier, cousin. The attention aestheticians have recently given to moral aspects of art and art criticism, and that ethicists have recently paid to aesthetic aspects of moral life and moral evaluation, give hope of ending this rather artificial isolation, though without necessarily forcing us to accede in Wittgenstein's gnomic dictum that “ethics and aesthetics are one.”
The intersection of aesthetics and ethics can be understood to comprise three spheres of inquiry. The first is that of problems or presuppositions common to aesthetics and ethics, the two traditional branches of value theory. The second is that of ethical issues in aesthetics, or in the practice of art. And the third sphere is that of aesthetic issues in ethics, theoretical and applied.
As it turns out, the concerns of the present collection do not span the full intersection of aesthetics and ethics as just explained. For reasons of both unity and manageability, the decision was made to foreground aesthetics in the present venture. The result is that the essays fall under the first and second, but not the third ways of understanding the intersection of the two fields.
- Type
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- Information
- Aesthetics and EthicsEssays at the Intersection, pp. 1 - 25Publisher: Cambridge University PressPrint publication year: 1998
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