Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-10T02:43:00.214Z Has data issue: false hasContentIssue false

Reading for Ruptures: HIV & AIDS, Sexuality & Silencing in Zoë Wicomb's ‘In Search of Tommie’

from ARTICLES

Published online by Cambridge University Press:  25 March 2020

Lizzy Attree
Affiliation:
PhD from SOAS, University of London.
Get access

Summary

Although Cape Town is one of the epicentres of the HIV/AIDs pandemic, it was not until 1999 that Capetonian writers took on this devastating subject. Ten years later, in her only story featuring HIV infection, Zoë Wicomb weaves the taboo subject into ‘In Search of Tommie’ a story of last days and the search for identity and meaning. It is the first story by a South African author to represent the life of an HIV-positive gay black African man (from Langa). HIV is silenced in the story, not only in the sense that it is not spoken about out loud, particularly by the protagonist TS himself, but also in the sense that between the differently related characters: TS and his mother, TS and his half-sister, TS and his sometime boyfriend, Joe, the word is not used. In two other texts from Cape Town, Rayda Jacobs's novel Confessions of a Gambler and Derrick Fine's non-fiction Clouds Move, HIV has a very different volume and significance. For the purposes of this article, both Jacobs's and Fine's texts feature as points of comparison to demonstrate the level of silencing of HIV/AIDS in South African literature, especially in relation to the cosmopolitan Cape in which they are all set. In addition to a comparative reading, this article also focuses on the differences between depicting gay characters in fiction and non-fiction.

In ‘In Search of Tommie’ TS alludes to his illness while narrating the story of his ‘vark’ (pig) father, Tommie, who left his mother and had another child in England. TS shares his father's name but refuses the identification until his story returns to him in the form of a semifictionalised autobiography written by an English woman who could be his half-sister. Allusions to T.S. Eliot and other literary references are thrown into the story by his latter day boyfriend or partner Joe who provides TS with part of his identity as a moffie and leads him to contact his potential relative, Chris, in England. It is only through TS and Joe's relationship that TS is able to contact Chris in the UK after reading her book as suggested by his ex-boyfriend.

Type
Chapter
Information
ALT 36: Queer Theory in Filmand Fiction
African Literature Today 36
, pp. 135 - 150
Publisher: Boydell & Brewer
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×