Published online by Cambridge University Press: 05 August 2011
Congress Hall has for many years held the palm of fashion among the rival Hotels of Saratoga. It is an immense wooden caravanserai, with no pretensions to architecture beyond what is seen in the drawing, and built with the sole view of affording the average accommodations of packed herrings to an indefinite number of persons. The roominess and liberal proportions of the Colonnade are one of those lies of architecture common to the hotels of this country. The traveller passes from the magnificent promise of the outside, to a chamber ten feet by four, situated in a remote gallery, visited once a day by the “boots” and chambermaid. His bed, chair, and wash-stand, resemble those articles as seen in penitentiaries; and if he chance to be ill at night, he might die like a Pagan, “without bell or candle.” The arrangements of the house are, of necessity, entirely gregarious. A bell rings at half-past seven in the morning, at which every body who intends to breakfast, must get up; another bell at eight, to the call of which, if he prefers hot omelette to cold, he must be punctual. Dinner and tea exact the same promptitude; and the latter, which in other countries is a thing of no circumstance or importance, becomes, where you dine at two, a meal not willingly missed.
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