Book contents
- The Arabian Nights in Contemporary World Cultures
- Frontispiece
- The Arabian Nights in Contemporary World Cultures
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Introduction
- 1 The Arabian Nights
- 2 The Scheherazade Factor
- 3 Engagements in Narrative
- 4 The “Hostile Dynasty”
- 5 The Archaeology of A Thousand and One Nights
- 6 Signatures and Affiliates
- 7 Decolonizing the Arabian Nights?
- 8 Invitation to Discourse
- Book part
- Select Bibliography
- Index
5 - The Archaeology of A Thousand and One Nights
Published online by Cambridge University Press: 17 August 2021
- The Arabian Nights in Contemporary World Cultures
- Frontispiece
- The Arabian Nights in Contemporary World Cultures
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Introduction
- 1 The Arabian Nights
- 2 The Scheherazade Factor
- 3 Engagements in Narrative
- 4 The “Hostile Dynasty”
- 5 The Archaeology of A Thousand and One Nights
- 6 Signatures and Affiliates
- 7 Decolonizing the Arabian Nights?
- 8 Invitation to Discourse
- Book part
- Select Bibliography
- Index
Summary
Chapter 5 complements the previous chapters in that it argues archaeology in relation to two domains whereby a history of the burgeoning of the Nights in its own lands is laid out in terms of a body of enunciations and statements. A discursive genealogy suggests multiple productions that share only a basal root, that is, the frame tale of the two kings, but not the rest like “The Merchant and the Demon.” The other domain includes early migrations of tales, and the major translational movement established by Galland. Both domains have their histories as effectively giving place “to definite types of discourse … which are related to a whole set of various histories.” In this discursive density, the issue of authorship cannot be visible. It wanes and disappears in large grids of narrative engagements. Furthermore, beginnings cannot be dissociated from a narrative corpus that has its own underlying theoretical bases before the advent of the novel as a bourgeois epic.
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- Chapter
- Information
- The Arabian Nights in Contemporary World CulturesGlobal Commodification, Translation, and the Culture Industry, pp. 171 - 213Publisher: Cambridge University PressPrint publication year: 2021