Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- List of Abbreviations
- A Sonnet
- Ascending
- The Craze Spreads
- Levity
- Gravity
- 8 Monarchs
- 9 Gods and Heroes
- 10 The Sublime
- 11 Aeronationalism
- 12 War
- 13 Back to Earth: Parachutes and Balloons in 1785 and 1802
- 14 Ascending Again: Balloons in Flights of Imagination
- Notes
- Bibliography
- Index
10 - The Sublime
from Gravity
Published online by Cambridge University Press: 26 April 2018
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- List of Abbreviations
- A Sonnet
- Ascending
- The Craze Spreads
- Levity
- Gravity
- 8 Monarchs
- 9 Gods and Heroes
- 10 The Sublime
- 11 Aeronationalism
- 12 War
- 13 Back to Earth: Parachutes and Balloons in 1785 and 1802
- 14 Ascending Again: Balloons in Flights of Imagination
- Notes
- Bibliography
- Index
Summary
‘But what Scenes of Grandeur and Beauty! A Tear of pure Delight flashed in his Eye!’
Thomas Baldwin, AiropaidiaTHE SUBLIME WAS CRUCIAL in giving balloon madness some cultural respectability. What was it and why did it matter? An idea with a long history, it had been refreshed in the mid eighteenth century and applied to a range of situations in which a viewing or feeling subject encountered something from which a powerful aesthetic charge resulted. This chapter explores how the sublime shaped thinking about balloons, how it paired and competed with ideas of the beautiful in the making of new aerial aesthetics, and how this reworking fits in to modern ideas about the aerial gaze.
As Michael R. Lynn notes by the title of his book, balloons themselves were described as ‘The Sublime Invention’, and ‘sublime’ is a regular fixture in accounts of aerial voyages. One example shows the frequency and typical variations of its use. When Richard Crosbie ascended from Dublin on 19 January 1785 to make the first successful ascent in Ireland, the sublime accompanied him: ‘Mr Crosbie himself assures us that his voyage throughout was perfectly smooth, tranquil and sublime’. What spectators felt was also sublime, with a theological colouring:
It is but truth to affirm, the business of that day was the most awfully magnificent that can engage the human mind; that in common with the aerial traveller himself, and every feeling spectator in that immense crowd, we have experienced the most grateful, benevolent, and sublime sensations; since, while He sees us occupied in search of truth, and the enlargement of science, it would seem that Omnipotence hath scarcely set any limits to the bold enquiries, and the high aspiring views of man.
Boundlessness associated with the sublime meant its effects outlasted the event which gave rise to it. So sublime was Crosbie's achievement, according to this writer, that the grateful nation which held him in the highest esteem now would continue to look up to him in the future.
- Type
- Chapter
- Information
- Balloon MadnessFlights of Imagination in Britain, 1783–1786, pp. 213 - 228Publisher: Boydell & BrewerPrint publication year: 2017