Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-10T05:21:12.530Z Has data issue: false hasContentIssue false

Dancing the Image: Complicity, Responsibility and Spectatorship

Published online by Cambridge University Press:  27 May 2021

Get access

Summary

Abstract

This essay offers a close reading of Archive (2014), an hour-long performance by Israeli dancer and choreographer Arkadi Zaides, during which the artist conducts a corporeal dialogue with audio-visual documentation of human rights violations in the occupied Palestinian territories. I will point to the ways in which the work's atypical engagement with the mediation of violence resonates Judith Butler's thought on opaque subjectivities, collective responsibility, risk and complicity. I will further place Butler's call for ethical responsibility in dialogue with current debates on the production, circulation, and reception of images of violence, both in the specific context of the Israeli-Palestinian conflict, and in relation to more general conceptualizations of spectatorship.

Keywords: collective responsibility, opaque subjectivity, violence, spectatorship, counter-visual strategies, Israel-Palestine

In Giving an Account of Oneself (2005) as well as in Precarious Life (2004), Judith Butler theorizes the notions of ethical responsibility and risk in relation to a subject who is not self-grounding, and who can never give a coherent and final account of herself. Butler's understanding of subjects as fundamentally vulnerable, fundamentally “given over” to each other's mercy, forms the basis of what she calls “collective responsibility” (2004, 29). Prevalent responses to injury, such as rage or guilt (“bad conscience”), work against such responsibility as they withdraw the subject into narcissism and foreclose the primary relation to alterity (Butler 2004, 29; 2005, 99-100). As an alternative, Butler offers vulnerability to (and risk of) loss as primary tools for “living otherwise” (2005, 100). “Mindfulness of this vulnerability,” Butler argues, “can become the basis of claims for non-military political solutions, just as denial of this vulnerability through a[n institutionalized] fantasy of mastery … can fuel the instruments of war” (2004, 29). She ends her contemplation on the conditions of accountability with the oft-quoted following words:

Perhaps most importantly, we must recognize that ethics requires us to risk ourselves precisely at moments of unknowingness, when what forms us diverges from what lies before us, when our willingness to become undone in relation to others constitutes our chance of becoming human.

Type
Chapter
Information
Bodies That Still Matter
Resonances of the Work of Judith Butler
, pp. 113 - 126
Publisher: Amsterdam University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×