Book contents
- Frontmatter
- Contents
- Dedication
- Illustrations
- Foreword by Graham Johnson
- Acknowledgements
- Abbreviations
- Introduction
- Index of Solo Song Opuses published in Brahms's Lifetime
- Table of Poets’ Lifespans
- Map 1: The German Empire 1864–1871
- Map 2: Poets’ Main Areas of Activity
- Guide to Poet Entries
- Brahms's Poets: From Willibald Alexis to Josef Wenzig
- Willibald Alexis [Wilhelm Häring] (1798 Breslau – 1871 Arnstadt, SW of Leipzig)
- Hermann Allmers (1821 Rechtenfleth – 1902 Rechtenfleth)
- Friedrich Bodenstedt (1819 Peine – 1892 Wiesbaden)
- Clemens Brentano (1778 Ehrenbreitstein, nr Koblenz – 1842 Aschaffenburg, nr Frankfurt)
- Carl Candidus (1817 Bischweiler, Alsace – 1871 Crimea)
- Hugo Conrat (1845 Breslau – 1906 Berlin)
- Georg Friedrich Daumer (1800 Nuremberg – 1875 Würzburg)
- Joseph von Eichendorff (1788 Lubowitz, Upper Silesia – 1857 Neiße, Upper Silesia)
- Eduard Ferrand [Eduard Schulz] (1813 Landsberg – 1842 Berlin)
- Paul Fleming (1609 Hartenstein, nr Zwickau – 1640 Hamburg)
- Adolf Frey (1855 Aarau – 1920 Zurich)
- Emanuel Geibel (1815 Lübeck – 1884 Lübeck)
- Johann Wolfgang von Goethe (1749 Frankfurt am Main – 1832 Weimar)
- Melchior Grohe (1829 Mannheim – 1906 Naples)
- Klaus Groth (1819 Heide – 1899 Kiel)
- Otto Friedrich Gruppe (1804 Danzig – 1876 Berlin)
- Friedrich Halm [Eligius Freiherr von Münch-Bellinghausen] (1806 Krakow – 1871 Vienna)
- Friedrich Hebbel (1813 Wesselburen – 1863 Vienna)
- Heinrich Heine (1797 Düsseldorf – 1856 Paris)
- Paul Heyse (1830 Berlin – 1914 Munich)
- Heinrich Hoffmann [von Fallersleben] (1798 Fallersleben – 1874 Corvey)
- Ludwig Christian Heinrich Hölty (1748 Mariensee nr Hanover – 1776 Hanover)
- Max Kalbeck (1850 Breslau – 1921 Vienna)
- Siegfried Kapper (1821 Prague – 1879 Pisa)
- Gottfried Keller (1819 Zurich – 1890 Zurich)
- August Kopisch (1799 Breslau – 1853 Berlin)
- Franz Kugler (1808 Stettin – 1858 Berlin)
- Karl Lemcke (1831 Schwerin – 1913 Munich)
- Detlev von Liliencron (1844 Kiel – 1909 Alt-Rahlstedt, Hamburg)
- Hermann Lingg (1820 Lindau – 1905 Munich)
- Alfred Meissner (1822 Teplitz – 1885 Bregenz)
- Eduard Mörike (1804 Ludwigsburg – 1875 Stuttgart)
- August von Platen (1796 Ansbach – 1835 Syracuse)
- Christian Reinhold [Reinhold Köstlin] (1813 Tübingen – 1856 Tübingen)
- Robert Reinick (1805 Danzig – 1852 Dresden)
- Johann Baptist Rousseau (1802 Bonn – 1867 Cologne)
- Friedrich Rückert (1788 Schweinfurt – 1866 Neuses nr Coburg)
- Adolf Friedrich von Schack (1815 Schelfstadt nr Schwerin – 1894 Rome)
- Max von Schenkendorff (1783 Tilsit – 1817 Koblenz)
- Hans Schmidt (1854 Fellin – 1923 Riga)
- Felix Schumann (1854 Düsseldorf – 1879 Frankfurt)
- Karl Simrock (1802 Bonn – 1876 Bonn)
- Theodor Storm (1817 Husum – 1888 Hademarschen)
- Ludwig Tieck (1773 Berlin – 1853 Berlin)
- Ludwig Uhland (1787 Tübingen – 1862 Tübingen)
- Josef Wenzig (1807 Prague – 1876 Turnau)
- Select Bibliography
- Index of Brahms's Musical Works
- General Index
Paul Fleming (1609 Hartenstein, nr Zwickau – 1640 Hamburg)
from Brahms's Poets: From Willibald Alexis to Josef Wenzig
Published online by Cambridge University Press: 14 September 2019
- Frontmatter
- Contents
- Dedication
- Illustrations
- Foreword by Graham Johnson
- Acknowledgements
- Abbreviations
- Introduction
- Index of Solo Song Opuses published in Brahms's Lifetime
- Table of Poets’ Lifespans
- Map 1: The German Empire 1864–1871
- Map 2: Poets’ Main Areas of Activity
- Guide to Poet Entries
- Brahms's Poets: From Willibald Alexis to Josef Wenzig
- Willibald Alexis [Wilhelm Häring] (1798 Breslau – 1871 Arnstadt, SW of Leipzig)
- Hermann Allmers (1821 Rechtenfleth – 1902 Rechtenfleth)
- Friedrich Bodenstedt (1819 Peine – 1892 Wiesbaden)
- Clemens Brentano (1778 Ehrenbreitstein, nr Koblenz – 1842 Aschaffenburg, nr Frankfurt)
- Carl Candidus (1817 Bischweiler, Alsace – 1871 Crimea)
- Hugo Conrat (1845 Breslau – 1906 Berlin)
- Georg Friedrich Daumer (1800 Nuremberg – 1875 Würzburg)
- Joseph von Eichendorff (1788 Lubowitz, Upper Silesia – 1857 Neiße, Upper Silesia)
- Eduard Ferrand [Eduard Schulz] (1813 Landsberg – 1842 Berlin)
- Paul Fleming (1609 Hartenstein, nr Zwickau – 1640 Hamburg)
- Adolf Frey (1855 Aarau – 1920 Zurich)
- Emanuel Geibel (1815 Lübeck – 1884 Lübeck)
- Johann Wolfgang von Goethe (1749 Frankfurt am Main – 1832 Weimar)
- Melchior Grohe (1829 Mannheim – 1906 Naples)
- Klaus Groth (1819 Heide – 1899 Kiel)
- Otto Friedrich Gruppe (1804 Danzig – 1876 Berlin)
- Friedrich Halm [Eligius Freiherr von Münch-Bellinghausen] (1806 Krakow – 1871 Vienna)
- Friedrich Hebbel (1813 Wesselburen – 1863 Vienna)
- Heinrich Heine (1797 Düsseldorf – 1856 Paris)
- Paul Heyse (1830 Berlin – 1914 Munich)
- Heinrich Hoffmann [von Fallersleben] (1798 Fallersleben – 1874 Corvey)
- Ludwig Christian Heinrich Hölty (1748 Mariensee nr Hanover – 1776 Hanover)
- Max Kalbeck (1850 Breslau – 1921 Vienna)
- Siegfried Kapper (1821 Prague – 1879 Pisa)
- Gottfried Keller (1819 Zurich – 1890 Zurich)
- August Kopisch (1799 Breslau – 1853 Berlin)
- Franz Kugler (1808 Stettin – 1858 Berlin)
- Karl Lemcke (1831 Schwerin – 1913 Munich)
- Detlev von Liliencron (1844 Kiel – 1909 Alt-Rahlstedt, Hamburg)
- Hermann Lingg (1820 Lindau – 1905 Munich)
- Alfred Meissner (1822 Teplitz – 1885 Bregenz)
- Eduard Mörike (1804 Ludwigsburg – 1875 Stuttgart)
- August von Platen (1796 Ansbach – 1835 Syracuse)
- Christian Reinhold [Reinhold Köstlin] (1813 Tübingen – 1856 Tübingen)
- Robert Reinick (1805 Danzig – 1852 Dresden)
- Johann Baptist Rousseau (1802 Bonn – 1867 Cologne)
- Friedrich Rückert (1788 Schweinfurt – 1866 Neuses nr Coburg)
- Adolf Friedrich von Schack (1815 Schelfstadt nr Schwerin – 1894 Rome)
- Max von Schenkendorff (1783 Tilsit – 1817 Koblenz)
- Hans Schmidt (1854 Fellin – 1923 Riga)
- Felix Schumann (1854 Düsseldorf – 1879 Frankfurt)
- Karl Simrock (1802 Bonn – 1876 Bonn)
- Theodor Storm (1817 Husum – 1888 Hademarschen)
- Ludwig Tieck (1773 Berlin – 1853 Berlin)
- Ludwig Uhland (1787 Tübingen – 1862 Tübingen)
- Josef Wenzig (1807 Prague – 1876 Turnau)
- Select Bibliography
- Index of Brahms's Musical Works
- General Index
Summary
4-part choir:
‘Geistliches Lied’ Op. 30 (comp. April 1856, publ. July 1864)
‘O liebliche Wangen’ Op. 47 no. 4 (comp. summer? 1868, publ. Oct. 1868)
‘An die Stolze’ Op. 107 no. 1 (comp. summer 1886, publ. Oct. 1888)
IN BRAHMS'S DAY, the poetry of the Baroque poet Paul Fleming was found in numerous musical contexts: for example Fleming's religious texts to the melodies of Heinrich Isaac were found in contemporary hymnbooks, and Mendelssohn also set his texts. Brahms also owned a copy of Fleming's poetry in a 1685 edition in which his two solo texts appear consecutively. However, nearly two decades separated the composition of the solo songs; also, the poems were reprinted elsewhere as part of a wider resurgence of interest in German Baroque poetry. They also appeared under different titles from Brahms's songs. ‘O liebliche Wangen’ was originally titled ‘Auf die italienische Weise: O fronte serena’, but Brahms simply used the opening words. ‘An die Stolze’ was untitled in the 1685 edition; in an 1822 edition edited by Wilhelm Müller, it was titled ‘Liebeszwang’. The 1865 edition of Fleming's poetry by the library of the Stuttgart Literary Society is the first which uses the title ‘An die Stolze’. Brahms may also have known Lemcke's 1871 popular history of German literature, Geschichte der deutschen Dichtung neuerer Zeit, which uses the title ‘An die Stolze’.
As with Brentano's ‘O kühler Wald’, Brahms's cutting half of ‘An die Stolze’ changed the poem considerably. It removed some extensive nature imagery in the third verse, and a tongue-twisting line in the fourth verse: ‘Dass ich stracks sterbe hier’ (‘Then let me immediately die here’). The two set verses are given below:
1 Und gleichwohl kann ich anders nicht, And yet, I cannot do differently;
2 Ich muß ihr günstig sein, I must be favourable to her
3 Obgleich der Augen stolzes Licht Although the proud light of her eyes
4 Mir mißgönnt seinen Schein. Begrudges me its shine.
5 Ich will, ich soll, ich muss dich lieben, I will, I should, I must love you;
6 dadurch wir beid’ uns nur betrüben, So we both make ourselves miserable
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- Brahms and His PoetsA Handbook, pp. 111 - 118Publisher: Boydell & BrewerPrint publication year: 2017