Book contents
- The Cambridge Companion to American Gothic
- The Cambridge Companion to American Gothic
- The Cambridge Companion to American Gothic
- Copyright page
- Dedication
- Contents
- Contributors
- Figures
- Acknowledgments
- Introduction
- Part I Periods
- Part II Identities and Locations
- 6 Race and the American Gothic
- 7 American Female Gothic
- 8 Queer American Gothic
- 9 American Frontier Gothic
- 10 Southern American Gothic
- 11 Urban American Gothic
- Part III Genre and Media
- Index
- Cambridge Companions to …
- References
10 - Southern American Gothic
from Part II - Identities and Locations
Published online by Cambridge University Press: 20 November 2017
Edited by
Book contents
- The Cambridge Companion to American Gothic
- The Cambridge Companion to American Gothic
- The Cambridge Companion to American Gothic
- Copyright page
- Dedication
- Contents
- Contributors
- Figures
- Acknowledgments
- Introduction
- Part I Periods
- Part II Identities and Locations
- 6 Race and the American Gothic
- 7 American Female Gothic
- 8 Queer American Gothic
- 9 American Frontier Gothic
- 10 Southern American Gothic
- 11 Urban American Gothic
- Part III Genre and Media
- Index
- Cambridge Companions to …
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge Companion to American Gothic , pp. 141 - 155Publisher: Cambridge University PressPrint publication year: 2017
References
Works Cited
Byrd, William. William Byrd’s Histories of the Dividing Line Betwixt Virginia and North Carolina. New York: Dover, 1967.Google Scholar
Chesnutt, Charles W. The Marrow of Tradition. (1901). Ann Arbor: University of Michigan Press, 1969.Google Scholar
Du Bois, W. E. B. The Souls of Black Folk. In Du Bois, Writings. New York: The Library of America, 1986. 357–546.Google Scholar
Edwards, Justin D. Gothic Passages: Racial Ambiguity and the American Gothic. Iowa City: University of Iowa Press, 2003.Google Scholar
Fiedler, Leslie A. Love and Death in the American Novel. New York: Stein and Day, 1960. Rev. edn., 1966.Google Scholar
Goddu, Teresa A. Gothic America: Narrative, History, Nation. New York: Columbia University Press, 1997.Google Scholar
Jefferson, Thomas. Notes on the State of Virginia. In Jefferson, , Writings. New York: The Library of America, 1984. 123–325.Google Scholar
Ladd, Barbara. Resisting History: William Faulkner Zora Neale Hurston, and Eudora Welty. Baton Rouge: Louisiana State University Press, 2007.Google Scholar
Murphy, Bernice M. The Rural Gothic in American Popular Culture: Backwoods Horror and Terror in the Wilderness. Houndsmill: Palgrave Macmillan, 2013.Google Scholar
Rash, Ron. “Those Who Are Dead Are Only Now Forgiven.” Nothing Gold Can Stay. New York: HarperCollins, 2013. 127–43.Google Scholar
Simpson, Louis P. Introduction. 3 by 3: Masterworks of the Southern Gothic. Atlanta: Peachtree Publishers, 1985. vii–xiv.Google Scholar
Sunquist, Eric J. To Wake the Nations: Race in the Making of American Literature. Cambridge, MA: Harvard University Press, 1993.Google Scholar
Welty, Eurdora. “The Burning.” The Collected Stories of Eudora Welty. New York and London: Harcourt Brace Jovanovich, 1980. 482–49.Google Scholar