Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-26T19:10:35.705Z Has data issue: false hasContentIssue false

20 - Sculpture and Its Role in the City

from Part III - Business/Commerce

Published online by Cambridge University Press:  10 March 2021

Jenifer Neils
Affiliation:
American School of Classical Studies, Athens
Dylan K. Rogers
Affiliation:
University of Virginia
Get access

Summary

This chapter deals with sculpture in Athens and Attica in the Archaic and Classical periods. Marble sculpture was introduced to Athens from the Cyclades in the late seventh century. Bronze became the dominant medium for sculpture from the late sixth century on.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

For the functions of sculpture in Athens, see Palagia 2015a, along with Hochscheid 2015 on the production of sculpture and its impact on the Athenian landscape. On bronzes, see Mattusch 1988. For the early marble sculpture in Athens, see Sturgeon in Palagia 2006; Palagia 2010; Sturgeon in Palagia 2019. For Classical sculpture in Athens, see Palagia in Palagia 2006. For Athenian sculpture in Parian marble, see Palagia 2000. For the quarries on Mt. Penteli, see Korres 2000 and 2001. For workshops of marble sculptors in the Agora, see Lawton 2006 and Tsakirgis 2015. For reliefs, see Clairmont 1993, Lawton 1995a, and Comella 2002.

Bibliography

Additional resources to accompany this chapter can be found at: www.cambridge.org/NeilsRogers

Clairmont, C.W. Classical Attic Tombstones. Vols. 1–7. Kilchberg.Google Scholar
Clinton, K., and Palagia, O.. 2003. “The Boy in the Great Eleusinian Relief.” Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung 106: 201222.Google Scholar
Comella, A. 2002. I rilievi votivi greci di periodo arcaico e classico. Bari.Google Scholar
Despinis, G., and Kaltsas, N., eds. 2014. Εθνικό Αρχαιολογικό Μουσείο. Κατάλογος γλυπτών 1.1. Athens.Google Scholar
Gawlinski, L. The Athenian Agora: Museum Guide. 5th edn. Princeton.Google Scholar
Goette, H.R. 1991. “Die Steinbrücke von Sounion in Agrileza-Tal.” Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung 106: 201222.Google Scholar
Goette, H.R., Polikreti, K., Vacoulis, T., and Maniatis, Y. 1999. “Investigation of the Greyish-blue Marble of Pentelikon and Hymetus.” In Archéomatériaux. Marbres et autres roches, ed. Schvoerer, M., Bordeaux, 8390.Google Scholar
Harris, D. 1992. “Bronze Statues on the Athenian Acropolis: The Evidence of a Lycurgan Inventory.” AJA 96: 637652.CrossRefGoogle Scholar
Hochscheid, H. 2015. Networks of Stone: Sculpture and Society in Archaic and Classical Athens. Oxford.CrossRefGoogle Scholar
Kaltsas, N. 2002. Sculpture in the National Archaeological Museum, Athens. Athens.Google Scholar
Korres, M. 2000. The Stones of the Parthenon. Athens.Google Scholar
Korres, M. 2001. From Pentelicon to the Parthenon: The Ancient Quarries and the Story of a Half-Worked Column Capital of the First Marble Parthenon. Athens.Google Scholar
Lawton, C.L. 1995a. Attic Document Reliefs. Oxford.CrossRefGoogle Scholar
Lawton, C.L. 1995b. “Four Document Reliefs from the Athenian Agora.” Hesperia 64: 122130.CrossRefGoogle Scholar
Lawton, C.L. 2006. Marbleworkers in the Athenian Agora. Agora Picture Book 27. Princeton.Google Scholar
Mattusch, C. 1988. Greek Bronze Statuary: From the Beginnings through the Fifth Century bc. Ithaca, NY.Google Scholar
Palagia, O. 1993. The Pediments of the Parthenon. Leiden.Google Scholar
Palagia, O. 1994. “No Demokratia.” In The Archaeology of Athens and Attica under the Democracy, eds. Coulson, W.D.E., Palagia, O., Shear, T.L. Jr., Shapiro, H.A., Frost, F.J., Oxford, 113122.Google Scholar
Palagia, O. 2000. “Parian Marble and the Athenians.” In Paria Lithos, ed. Schilardi, D.U. and Katsonopoulou, D., Athens, 347354.Google Scholar
Palagia, O. ed. 2006. Greek Sculpture: Function, Materials, and Techniques in the Archaic and Classical Periods. Cambridge.Google Scholar
Palagia, O. 2009. “Archaism and the Quest for Immortality in Attic Sculpture during the Peloponnesian War.” In Art in Athens during the Peloponnesian War, ed. Palagia, O., Cambridge, 2451.Google Scholar
Palagia, O. 2010. “Early Archaic Sculpture in Athens.” In Scolpire il marmo, ed. Adornato, G., Milan, 4155.Google Scholar
Palagia, O. 2011. “An Unfinished Molossian Hound from the Dionysos Quarry on Mount Pentelicon.” Marmora 7: 1117.Google Scholar
Palagia, O. 2013. “Not from the Spoils of Marathon: Pheidias’ Bronze Athena on the Acropolis.” In Marathon: The Day After, eds. Buraselis, K. and Koulakiotis, E., Athens, 117137.Google Scholar
Palagia, O. 2015a. “The Functions of Greek Art.” In The Oxford Handbook of Greek and Roman Art and Architecture, ed. Marconi, C., Oxford, 294309.Google Scholar
Palagia, O. 2015b. “Dating the Corner Figures of the West Pediment and Questions Arising from the Use of Parian and Pentelic Marbles in the Sanctuary.” In New Approaches to the Temple of Zeus at Olympia, ed. Patay-Horváth, A., Newcastle upon Tyne, 7489.Google Scholar
Palagia, O. 2017. “Euphranor.” In Artists and Artistic Production in Ancient Greece, eds. Seaman, K. and Schultz, P., Cambridge, 124140.Google Scholar
Palagia, O. ed. 2019. Handbook of Greek Sculpture. Berlin.Google Scholar
Stewart, A. 2017. “Hellenistic Free-Standing Sculpture from the Athenian Agora.” Hesperia 86: 83127.Google Scholar
Stewart, A., et al. 2019. “Classical Sculpture from the Athenian Agora, Part 2: The Friezes of the Temple of Ares (Temple of Athena Pallenis).” Hesperia 88: 625705.CrossRefGoogle Scholar
Tsakirgis, B. 2015. “Tools from the House of Mikion and Menon.” In Autopsy in Athens, ed. Miles, M.M., Oxford, 917.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×