Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-fscjk Total loading time: 0 Render date: 2024-12-26T18:22:45.519Z Has data issue: false hasContentIssue false

23 - Theatrical Spaces

from Part IV - Culture and Sport

Published online by Cambridge University Press:  10 March 2021

By
Valentina Di Napoli
Edited by
Jenifer Neils  and
Dylan K. Rogers
Jenifer Neils
Affiliation:
American School of Classical Studies, Athens
Dylan K. Rogers
Affiliation:
University of Virginia
Get access

Summary

This chapter deals with the Athenian buildings aimed at hosting dramatic performances or related to the world of the theater, one of the most important and enduring legacies of ancient Greece to the Western world. The Late Classical Theater of Dionysos at the southern slopes of the Acropolis (second half of the fourth century BC) and the neighboring Odeion of Perikles (mid-fifth century BC) soon became tangible symbols of the city’s wealth and power.

Keywords

Orchestra in the AgoraTheater of DionysosOdeion of Perikleswooden theatrical structures
Type
Chapter
Information
The Cambridge Companion to Ancient Athens , pp. 319 - 331
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

The literature on this topic is rich and mainly in German and modern Greek. The problem of the ‘old agora’ and the topography of earlier Athens is analyzed in Miller 1995 (especially 218–219). Of the vast bibliography about the origins of drama, see Csapo and Slater 1994, 79–138, 286–301; Green 1994, especially 16–48; Connor 1996; Sourvinou-Inwood 2003, 141–172; Csapo and Miller 2007, 1–38; Kowalzig and Wilson 2013. Wiles 2000 is a good introduction to the art of Greek theater performance. On the Theater of Dionysos, in addition to the classic Pickard-Cambridge 1946, a recent presentation of the wooden theater can be found in Moretti 1999–2000 and in Papastamati-von Moock 2015, while for the Lycurgan phase, Papastamati-von Moock 2014 is very useful. On the Odeion of Perikles, see Robkin 1976; Miller 1997, 218–242; Shear 2016, 197–228 (for a discussion within the wider framework of Perikles’ building activity). For a discussion of the theatrical spaces of Athens and Attika in the Roman period, see Di Napoli 2013, 7–25.

Bibliography

Additional resources to accompany this chapter can be found at: www.cambridge.org/NeilsRogers

Connor, W.R. 1996. “Civil Society, Dionysiac Festival, and the Athenian Democracy.” In Démokratia: A Conversation on Democracies, Ancient and Modern, eds. Ober, J. and Hedrick, C., Princeton, 217–226.Google Scholar
Csapo, E., and Miller, M.C., eds. 2007. The Origins of the Theater in Ancient Greece and Beyond. Cambridge.Google Scholar
Csapo, E., and Slater, W.J.. 1994. The Context of Ancient Drama. Ann Arbor.Google Scholar
Di Napoli, V. 2013. Teatri della Grecia romana: forma, decorazione, funzioni. La provincia d’Acaia. Athens.Google Scholar
Greco, E., ed. 2010. Topografia di Atene. Sviluppo urbano e monumenti dalle origini al III secolo d.C. Tomo I: Acropoli – Areopago – Tra Acropoli e Pnice. Athens.Google Scholar
Green, J.R. 1994. Theater in Ancient Greek Society. London.Google Scholar
Kowalzig, B., and Wilson, P., eds. 2013. Dithyramb in Context. Oxford.Google Scholar
Ma, J. 2015. “The Portrait of Menander in the Theatre of Dionysus and Its Neighbours.” Studi Ellenistici 29: 235–239.Google Scholar
Miller, M.C. 1997. Athens and Persia in the Fifth Century bc: A Study in Cultural Receptivity. Cambridge.Google Scholar
Miller, S.G. 1995. “Architecture as Evidence for the Identity of the Early Polis.” In Sources for the Ancient Greek City-State, Symposium 1994, ed. Hansen, M.H., Copenhagen, 210–244.Google Scholar
Moretti, J.-C. 1999–2000. “The Theater of the Sanctuary of Dionysos Eleuthereus in Late Fifth-Century Athens.” Illinois Classical Studies 24–25: 377–398.Google Scholar
Papastamati-von Moock, C. 2014. “The Theatre of Dionysos Eleuthereus in Athens: New Data and Observations on Its ‘Lycurgan’ Phase.” In Greek Theatre in the Fourth Century bc, ed. Csapo, Ε., Goette, H.R., Green, R., and Wilson, P., Berlin, 15–76.Google Scholar
Papastamati-von Moock, C. 2015. “The Wooden Theatre of Dionysos Eleuthereus in Athens: Old Issues, New Research.” In The Architecture of the Ancient Greek Theatre, Acts of an International Conference, Athens 2012, eds. Frederiksen, R., Gebhard, E., and Sokolicek, A., Aarhus, 39–79.Google Scholar
Pickard-Cambridge, A.W. 1946. Τhe Theatre of Dionysus in Athens. Oxford.Google Scholar
Robkin, A.L.H. 1976. “The Odeion of Perikles: Some Observations on Its History, Form, and Functions.” PhD dissertation, University of Washington.Google Scholar
Shear, T.L. 2016. Trophies of Victory: Public Buildings in Periklean Athens. Princeton.CrossRefGoogle Scholar
Sourvinou-Inwood, C. 2003. Tragedy and Athenian Religion. Lanham.Google Scholar
Wiles, D. 2000. Greek Theatre Performance. An Introduction. Cambridge.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×