Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-09T23:14:11.742Z Has data issue: false hasContentIssue false

Part III - Authors

Published online by Cambridge University Press:  06 June 2024

Ann Vickery
Affiliation:
Deakin University, Victoria
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Arnott, Georgina. The Unknown Judith Wright. UWA Publishing, 2016.Google Scholar
Bonyhady, Tim. “Torn between Art and Activism.” Eureka Street, May 2005. www.eurekastreet.com.au/article/torn-between-art-and-activism.Google Scholar
Brady, Veronica. South of My Days: A Biography of Judith Wright. Angus & Robertson, 1998.Google Scholar
Capp, Fiona. My Blood’s Country: In the Footsteps of Judith Wright. Allen & Unwin, 2010.Google Scholar
Collett, Anne. “Phantom Dwelling: A Discussion of Judith Wright’s Late Style.” Journal of Australian Studies vol.37 no.2, 2015, pp. 243–59.Google Scholar
Cooke, Stuart. Speaking the Earth’s Languages: A Theory for Australian-Chilean Postcolonial Poetics. Rodopi, 2013.CrossRefGoogle Scholar
Day, Sarah. “Reading Judith Wright during the Tasmanian Forest Wars: The Intersection of Public and Private in Poetry.” Paper delivered at the ASAL (Association for the Study of Australian Literature) conference, July 2020.Google Scholar
Ferry, John. Colonial Armidale. University of Queensland Press, 1998.Google Scholar
Fitzgerald, Robert D. The Elements of Poetry. University of Queensland Press, 1963.Google Scholar
Healy, J. J. Literature and the Aborigine in Australia, 1770–1975. University of Queensland Press, 1978.Google Scholar
Kinsella, John. Spatial Relations: Vol: 1, Essays, Reviews, Comments, and Chorography, edited by Collier, Gordon. Rodopi, 2016.Google Scholar
McAuley, James. A Map of Australian Verse: The Twentieth Century. Oxford University Press, 1975.Google Scholar
Minter, Peter. “Kath Walker (Oodgeroo Noonuccal), Judith Wright and Decolonised Transcultural Ecopoetics in Frank Heimans’ ‘Shadow Sister.’Sydney Studies in English no.41, 2015, pp. 6174.Google Scholar
Noonuccal, Oodgeroo. We Are Going, as Walker, Kath. Jacaranda Press, 1964.Google Scholar
Noonuccal, Oodgeroo. The Dawn Is At Hand: Collected Poems. Marion Boyars, 1992.Google Scholar
Rooney, Brigid. Literary Activists: Writer-Intellectuals and Australian Public Life. University of Queensland Press, 2009.Google Scholar
Seymour-Smith, Martin. Macmillan Guide to Modern World Literature. Macmillan, 1985.Google Scholar
Vincent, Bridget. “Sorry, Above All, That I Can Make Nothing Right’: Public Apology in Judith Wright.” Australian Humanities Review no.61, May 2017, pp. 160–72.Google Scholar
Walker, Shirley. Flame and Shadow: A Study of Judith Wright’s Poetry. University of Queensland Press, 1991.Google Scholar
Wright, Judith. The Moving Image. Meanjin Press, 1946.Google Scholar
Wright, Judith. Woman to Man: Poems. Angus & Robertson, 1949.Google Scholar
Wright, Judith. The Gateway. Angus & Robertson, 1953.Google Scholar
Wright, Judith. The Two Fires. Angus & Robertson, 1955.Google Scholar
Wright, Judith. Preoccupations of Australian Poetry. Oxford University Press, 1965.Google Scholar
Wright, Judith. Fourth Quarter. Angus & Robertson, 1976.Google Scholar
Wright, Judith. Phantom Dwelling. Angus & Robertson, 1985.Google Scholar
Wright, Judith. A Human Pattern: Selected Poems, edited by Kinsella, John. Carcanet, 2010.Google Scholar
Blackman, Wilson. “Four Poets in One: Gwen Harwood.” The Creative Arts [audio recording], Radio Australia, 5–7 April 1964.Google Scholar
Dodwell, Diane. “Worlds Beyond Words: Gwen Harwood’s Selected Poems.” Westerly no.2, June 1977, pp. 7379.Google Scholar
Douglas, Dennis. “A Prodigious Dilemma: Gwen Harwood’s Professor Eisenbart and the Vices of the Intellect.” Australian Literary Studies vol.6 no.1, 1973, pp. 7782.Google Scholar
Dunlevy, Maurice. “Poet of Man’s Regrets.” Canberra Times, 29 June 1968, p. 14.Google Scholar
Edgar, Stephen. “An Interview with Gwen Harwood.” Island Magazine no. 25–26, 1986, pp. 7476.Google Scholar
Hall, Rodney and Shapcott, Thomas W., eds. “Introduction.” New Impulses in Australian Poetry, edited by Hall, Rodney and Shapcott, Thomas W.. University of Queensland Press, 1970, pp. 113.Google Scholar
Harwood, Gwen. Poems. Angus & Robertson, 1963.Google Scholar
Harwood, Gwen. A Steady Storm of Correspondence: Selected Letters of Gwen Harwood: 1943–1995, edited by Kratzmann, Gregory. University of Queensland Press, 2001.Google Scholar
Harwood, Gwen. Collected Poems: 1943–1995, edited by Hoddinott, Alison and Kratzmann, Gregory. University of Queensland Press, 2003.Google Scholar
Harwood, Gwen. Idle Talk: Letters 1960–1964, edited by Hoddinott, Alison. Brandl & Schlesinger, 2015.Google Scholar
Horne, Donald. “The Hoax That Misfired.” The Bulletin vol.82 no.4253, 19 August 1961.Google Scholar
Hudson, Flexmore. “Slim Volumes.” Australian Book Review vol.3 no.7, 1964, p. 132.Google Scholar
Lawson, Elizabeth. The Poetry of Gwen Harwood. Sydney University Press, 1991.Google Scholar
Lawson, Sylvia. “Review of Australian Poetry Now.” The Australian, 19 December 1970, p. 23.Google Scholar
Page, Geoff. A Reader’s Guide to Contemporary Australian Poetry. University of Queensland Press, 1995.Google Scholar
Porter, Peter. “Satires in C Major.” Times Literary Supplement, 9 May 2003, p. 7.Google Scholar
Priest, Ann-Marie. “Baby and Demon: Woman and the Artist in the Poetry of Gwen Harwood.” Hecate vol.40 no.2, 2015, pp. 6783.Google Scholar
Priest, Ann-Marie. “‘The Hoax That Misfired’: Gwen Harwood’s Cultural Dissent.” Southerly vol.77 no.1, 2017, pp. 115–36.Google Scholar
Priest, Ann-Marie. A Free Flame: Australian Women Writers and Vocation in the Twentieth Century. UWA Publishing, 2018, pp. 731.Google Scholar
Priest, Ann-Marie. My Tongue Is My Own: A Life of Gwen Harwood. LaTrobe University Press/Black Inc., 2022.Google Scholar
Shapcott, Thomas W.Correspondence.” Australian Book Review vol.3 no.9, 1964.Google Scholar
Shapcott, Thomas W. ed. Australian Poetry Now. Sun Books, 1970.Google Scholar
Sheridan, Susan. “Suburban Sonnets: ‘Mrs Harwood,’ Miriam Stone and Domestic Modernity.” Australian Literary Studies vol.23 no.2, 2007, pp. 140–52.Google Scholar
Strauss, Jennifer. Boundary Conditions: The Poetry of Gwen Harwood. University of Queensland Press, 1992.Google Scholar
Strauss, Jennifer. “Gwen Harwood: 1920–1995.” Quadrant, April 1996, pp. 67–68.Google Scholar
Trigg, Stephanie. Gwen Harwood. Oxford University Press, 1994.Google Scholar
Alexander, Neal. Late Modernism and the Poetics of Place. Edinburgh University Press, 2022.Google Scholar
Alexander, Peter F. Les Murray: A Life in Progress. Oxford University Press, 2000.Google Scholar
Berndt, Ronald M.A ‘Wonguri-Mandjikai Song Cycle of the Moon-Bone.’” Oceania vol.19 no.1, 1948, pp. 1650.CrossRefGoogle Scholar
Coetzee, J. M. “The Angry Genius of Les Murray.” The New York Review of Books, 29 September 2011. www.nybooks.com/articles/2011/09/29/angry-genius-les-murray/.Google Scholar
Dixon, Robert. “Two Versions of Australian Pastoral: Les Murray and William Robinson.” Imagining Australia: Literature and Culture in the New World, edited by Ryan, Judith and Wallace-Crabbe, Chris. Harvard University Committee on Australian Studies, 2004, pp. 286304.Google Scholar
Dunk, Jonathan. “The Stump: Looking Back on the Republic of Murray.” Overland, 7 June 2019. https://overland.org.au/2019/06/the-stump-looking-back-on-the-republic-of-murray/.Google Scholar
Edney, Sue and Somervell, Tess. “Introduction.” Georgic Literature and the Environment: Working Land, Reworking Genre, edited by Edney, Sue and Somervell, Tess, Routledge, 2022, pp. 19.Google Scholar
Fairer, David. “‘Where Fuming Trees Refresh the Thirsty Air’: The World of Eco-Georgic.” Studies in Eighteenth Century Culture no.40, 2011, pp. 201–18.CrossRefGoogle ScholarPubMed
Gifford, Terry. Pastoral. Routledge, 1999.CrossRefGoogle Scholar
Greene, Roland and Cushman, Stephen, eds. The Princeton Encyclopedia of Poetry and Poetics, 4th ed., Princeton University Press, 2012.CrossRefGoogle Scholar
Leer, Martin. “‘This Country Is My Mind’: Les Murray’s Poetics of Place.” The Poetry of Les Murray: Critical Essays, edited by Hergenhan, Laurie and Ross, Bruce Clunies. University of Queensland Press, 2001, pp. 1542.Google Scholar
Malouf, David. “Some Volumes of Selected Poems of the 1970s, II.” Australian Literary Studies vol.10 no.3, 1982, pp. 300–10.Google Scholar
Murray, Les. “The Art of Poetry No. 89.” Paris Review no. 173, 2005, pp. 3879.Google Scholar
Murray, Les. Collected Poems. Black Inc., 2018.Google Scholar
Perrett, Bill. “Les A Murray and the ‘Aboriginal Way.’” Meridian vol.7 no.1, 1988, pp. 7379.Google Scholar
Pollnitz, Christopher. “Folie, Topography and Family in Murray’s Middle-Distance Poems.” The Poetry of Les Murray: Critical Essays, edited by Hergenhan, Laurie and Ross, Bruce Clunies. University of Queensland Press, 2001, pp. 4363.Google Scholar
Rowe, Noel. “Justice, Sacrifice and the Mother’s Poem.” The Poetry of Les Murray: Critical Essays, edited by Hergenhan, Laurie and Ross, Bruce Clunies. University of Queensland Press, 2001, pp. 142–56.Google Scholar
Ryan, Gig. “And the foetid air and gritty…Heat no.5, 1997, pp. 196203.Google Scholar
Sayre, Laura. “‘How/to Make Fields Fertile’: Ecocritical Lessons from the History of Virgil’s Georgics in Translation.” Ecocriticism, Ecology, and the Cultures of Antiquity, edited by Schliephake, Christopher. Lexington Books, 2016, pp. 175–95.Google Scholar
Tink, Amanda. “Les Murray Said His Autism Shaped His Poetry.” The Conversation, 23 August 2022. https://theconversation.com/les-murray-said-his-autism-shaped-his-poetry-his-late-poems-offer-insights-into-his-creative-process-188212.Google Scholar
Allam, Lorena, et al. “Aboriginal Deaths in Custody: Black Lives Matter Protests Referred to Our Count of 432 Deaths. It’s Now 437.” The Guardian, 9 June 2020. www.theguardian.com/australia-news/2020/jun/09/black-lives-matter-protesters-referred-to-our-count-of-432-aboriginal-deaths-in-custody-its-now-437.Google Scholar
Araluen, Evelyn. “Resisting the Institution.” Overland no. 227, 2017, pp. 310.Google Scholar
Barthes, Roland. “The Death of the Author.” Image, Music, Text, translated by Heath, Stephen. Hill and Wang, 1977, pp. 142–48.Google Scholar
Booth, Mark. The Experience of Songs. Yale University Press, 1981.Google Scholar
Buchanan, Cheryl and Fogarty, Lionel. “You or Me – You and Me.” Honi Soit vol.20 no.1, 1997, pp. 34.Google Scholar
Carter, Paul. The Road to Botany Bay: An Exploration of Landscape and History. University of Minnesota Press, 2010.CrossRefGoogle Scholar
Cooke, Stuart. Speaking the Earth’s Languages: A Theory for Australian-Chilean Postcolonial Poetics. Rodopi, 2013.CrossRefGoogle Scholar
Fogarty, Lionel. Kargun. Cheryl Buchanan, 1980.Google Scholar
Fogarty, Lionel. Yoogum Yoogum. Penguin, 1982.Google Scholar
Fogarty, Lionel. Booyooburra: A Story of the Wakka Murri. Hyland House, 1993.Google Scholar
Fogarty, Lionel. New and Selected Poems: Munaldjali, Mutuerjaraera. Hyland House, 1995.Google Scholar
Fogarty, Lionel. “Australian Poet Lionel Fogarty in conversation with Philip Mead.” Jacket no.1, October 1997. http://jacketmagazine.com/01/fogartyiv.html.Google Scholar
Fogarty, Lionel. “Remember Something Like This.” Jacket no.1, October 1997. http://jacketmagazine.com/01/fogpoems.html.Google Scholar
Fogarty, Lionel. “Interview with Lionel Fogarty,” by Michael Brennan. Poetry International, 3 July 2011. www.poetryinternational.com/en/poets-poems/article/104-20646_Interview-with-Lionel-Fogarty/.Google Scholar
Fogarty, Lionel. “Interview: Lionel Fogarty,” by Timmah Ball. Etchings Indigenous: Treaty, edited by Ball, Timmah and Halligan, Scott. Illura Press, 2011, pp. 129–35.Google Scholar
Fogarty, Lionel. Lionel Fogarty Selected Poems 1980–2017, edited by Morrissey, Philip and Sumner, Tyne Daile. Re.press, 2017.Google Scholar
Furaih, A.‘For Their Fights Affect Our Fights’: The Impact of African American Poetics and Politics on the Poetry of Lionel Fogarty.” Journal of the Association for the Study of Australian Literature: JASAL vol.17 no.1, 2017, pp. 112.Google Scholar
Gray, Robert and Lehmann, Geoffrey, eds. Australian Poetry in the Twentieth Century. Heinemann, 1991.Google Scholar
Greene, Roland. “The Lyric.” The Cambridge History of Literary Criticism, edited by Norton, Glyn. Cambridge University Press, 1999, pp. 216–28.Google Scholar
Grieves, Victoria L. Aboriginal Spirituality: Aboriginal Philosophy, the Basis of Aboriginal Social and Emotional Wellbeing. Cooperative Research Centre for Aboriginal Health, 2009.Google Scholar
Hill, Barry. “Working the Country.” Australian Book Review vol.176 no.21, 1995, pp. 2122.Google Scholar
Hopfer, Sabina. “Reading Lionel Fogarty: An Attempt to Feel into Texts Speaking of Decolonisation.” Southerly vol.62 no.2, 2002, pp. 4564.Google Scholar
Kingston, Coralie. “‘Yoogum Yoogum’ Huggiby Lionel George Fogarty.” Social Alternatives vol.3 no.3, 1983, p. 78.Google Scholar
Kinsella, John. Spatial Relations, Vol. 1: Essays, Reviews, Commentaries, and Chorography. Rodopi, 2013.Google Scholar
Klee, Louis. “Reading Lionel Fogarty.” Textual Practice vol.36 no.6, 2022, pp. 928–52.CrossRefGoogle Scholar
Leane, Jeanine. “No Longer Malleable Stuff.” Overland no.241, 2020, pp. 1118.Google Scholar
Lucashenko, Melissa. “I Pity the Poor Immigrant.” Journal of the Association for the Study of Australian Literature vol.17 no.1, 2017, pp. 110.Google Scholar
Mead, Philip. Networked Language: Culture & History in Australian Poetry. Australian Scholarly Publishing, 2008.Google Scholar
Minter, Peter. “Writing Country: Composition, Law and Indigenous Ecopoetics.” Journal of the Association for the Study of Australian Literature vol.12 no.1, 2012, pp. 110.Google Scholar
Moore, Dashiell. “The Inter-Indigenous Encounter.” Journal of Commonwealth Literature vol.57 no.2, 2019, pp. 354–70.Google Scholar
Morrissey, Philip. “Introduction.” Lionel Fogarty Selected Poems 1980–2017, edited by Morrissey, Philip and Sumner, Tyne Daile. re.press, 2017, pp. 1528.Google Scholar
Mudrooroo, . “Guerilla Poetry: Lionel Fogarty’s Response to Language Genocide.” Westerly vol.31 no.3, 1986, pp. 4755.Google Scholar
Mudrooroo, . The Indigenous Literature of Australia = Milli Milli Wangka. Hyland House, 1997.Google Scholar
Rose, Deborah Bird. Nourishing Terrains: Australian Aboriginal Views of Landscape and Wilderness. Australian Heritage Commission, 1996.Google Scholar
Shoemaker, Adam. Black Words, White Page: Aboriginal Literature 1929–1988. University of Queensland Press, 1989.Google Scholar
Van Toorn, Penny. “Aboriginal Poetry Now: From Dramatic Monologue to Hip Hop and Rap!Reading Down Under: Australian Literary Studies Reader, edited by Sarwal, Amit and Sarwal, Reema. SSS Publications, 2009, pp. 182–92.Google Scholar
Watson, Irene. Aboriginal People, Colonialism, and International Law: Raw Law. Routledge, 2015.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Authors
  • Edited by Ann Vickery, Deakin University, Victoria
  • Book: The Cambridge Companion to Australian Poetry
  • Online publication: 06 June 2024
  • Chapter DOI: https://doi.org/10.1017/9781009470186.013
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Authors
  • Edited by Ann Vickery, Deakin University, Victoria
  • Book: The Cambridge Companion to Australian Poetry
  • Online publication: 06 June 2024
  • Chapter DOI: https://doi.org/10.1017/9781009470186.013
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Authors
  • Edited by Ann Vickery, Deakin University, Victoria
  • Book: The Cambridge Companion to Australian Poetry
  • Online publication: 06 June 2024
  • Chapter DOI: https://doi.org/10.1017/9781009470186.013
Available formats
×