Book contents
- The Cambridge Companion to British Fiction: 1980–2018
- The Cambridge Companion to
- The Cambridge Companion to British Fiction: 1980–2018
- Copyright page
- Dedication
- Contents
- Contributors
- Chronology
- Introduction: Framing the Present
- Part I Overview
- Part II New Formations
- Part III Genres and Movements
- Part IV Contexts
- Conclusion
- Further Reading
- Index
- Cambridge Companions to …
Part IV - Contexts
Published online by Cambridge University Press: 12 June 2019
- The Cambridge Companion to British Fiction: 1980–2018
- The Cambridge Companion to
- The Cambridge Companion to British Fiction: 1980–2018
- Copyright page
- Dedication
- Contents
- Contributors
- Chronology
- Introduction: Framing the Present
- Part I Overview
- Part II New Formations
- Part III Genres and Movements
- Part IV Contexts
- Conclusion
- Further Reading
- Index
- Cambridge Companions to …
Summary
In a eulogising essay following the death of John Updike in 2009, Ian McEwan wrote: ‘American letters, deprived in recent years of its giants, Bellow and Mailer [and now Updike], is a levelled plain, with one solitary peak guarded by Roth.’ Philip Roth would go on to announce his retirement from writing in 2012 and passed away in 2018, thus eradicating the final face from McEwan’s literary Mount Rushmore. McEwan’s friends and peers, Martin Amis and Julian Barnes, similarly wrote eulogies for Updike; just as McEwan and Christopher Hitchens (another member of their literary set) had done for Saul Bellow in 2005 (‘What other American novelist’, asked Hitchens, ‘has had such a direct and startling influence on non-Americans young enough to be his children?’), while Amis and McEwan both spoke at Bellow’s memorial in New York. Amis also wrote an account of Roth’s oeuvre the year after his retirement, and followed this with an appreciation after his death, while McEwan remembered Roth on BBC Radio.
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- Information
- The Cambridge Companion to British Fiction: 1980–2018 , pp. 199 - 271Publisher: Cambridge University PressPrint publication year: 2019